Paul Auster Quotes
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Art is not politics. The glory of the novel is that in its essence, it is a democratic form, because it treats individuals as worthy of scrutiny. That alone is a kind of political act. A good novel about a tea party of rich women can be just as galvanizing and important to the soul as War and Peace, so I think it's not really the job of artists to do anything. They can have their opinions as private citizens, but they must continue making their art.
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It's a mind going over things, revisiting things, maybe trying to refine the original perception. You have to keep going a thing over in order to make sense off it.
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I was extremely shy. And I simply didn't know how to go about it. It seemed a lot easier to write than to make films. All I needed was a pencil and a piece of paper, whereas filmmaking was something I had no access to.
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You find the book in the process of doing it. That's the adventure of the job.
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All men contain several men inside them, and most of us bounce from one self to another without ever knowing who we are.
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When you're young, you keep reading new writers and you keep changing your mind about how you ought to sound.
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Guilt kept me going. It was impossible not to blame myself for what had happened, but even guilt was a comfort. It was a human feeling, a sign that I was still attached to the same world that other men lived in.
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Once you finish a book, it doesn't belong to you anymore. You're giving it to other people. If something in what a writer writes can excite the imagination and the feelings of the reader, then that reader carries it around forever. Nothing is more vivid than good fiction.
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I don't have all the facts. And I might misremember. As a matter of fact, after I finished Winter Journal, I realized that I'd gotten someone's name wrong.
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In the old physics, three times two equals six and two times three equals 6 are reversible propositions. Not in quantum physics. Three times two and two times three are two different matters, distinct and separate propositions.
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There's hope for everyone. That's what makes the world go round.
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Impossible, I realize, to enter another’s solitude. If it is true that we can ever come to know another human being, even to a small degree, it is only to the extent that he is willing to make himself known. A man will say: I am cold. Or else he will say nothing, and we will see him shivering. Either way, we will know that he is cold. But what of the man who says nothing and does not shiver? Where all is intractable, here all is hermetic and evasive, one can do no more than observe. But whether one can make sense of what he observes is another matter entirely
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I was always interested in French poetry sort of as a sideline to my own work, I was translating contemporary French poets. That kind of spilled out into translation as a way to earn money, pay for food and put bread on the table.
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"The weird world rolls on..." meaning that through all the ups and downs, all the travails that we go through, all the horrors, all the wars, all the deaths, all the cruelties, there's still something that keeps us wanting to wake up the next morning and go on with our lives - to make children, to fall in love, to continue humanity.
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Each book I've done somehow finds its own unique form, a specific way it has to be written, and once I find it, I stick with it.
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In fact, writing, especially writing autobiographical works, and this is actually the fourth time I've done it, each time I've done it I've felt deeply immersed in the material as I'm doing it, and then it's over and everything is the same.
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It's June second, he told himself. Try to remember that. This is New York, and tomorrow will be June third. If all goes well, the following day will be the fourth. But nothing is certain.
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In my later novels, I systematically used the convention, and then a moment came - when did it come? With The Book of Illusions, maybe - I thought, I don't need them anymore, I don't need them, I want to integrate the dialogue into the text.
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No book includes the entire world. It's limited. And so it doesn't seem like an aesthetic compromise to have to do that. There's so much other material to write about.
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It's extremely difficult to get these jobs because you can't get a job on a ship unless you have seaman's paper's, and you can't get seaman's papers unless you have a job on a ship. There had to be a way to break through the circle, and he was the one who arranged it for me.
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Stories happen only to those who are able to tell them, someone once said. In the same way, perhaps, experiences present themselves only to those who are able to have them.
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We are all aliens to ourselves, and if we have any sense of who we are, it is only because we live inside the eyes of others.
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I sometimes feel that my goal as a novelist would be to write a novel in which the language was so transparent that the reader would forget that language was the medium of understanding. Of course that's not possible, but it's some sort of idealized goal.
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I've been very lucky in this second marriage. It's just luck. It's absolute luck. And I can only marvel at it. So many other things could have happened that didn't, so overall I feel blessed.