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I am very scared at the beginning of each book, because I've never written it before. I feel I have to teach myself how to do it.
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Even in New York, there are a lot of very attractive girls pedaling around. That just happens to be one of the nice sights in our city, seeing a young woman on a bike.
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In the old physics, three times two equals six and two times three equals 6 are reversible propositions. Not in quantum physics. Three times two and two times three are two different matters, distinct and separate propositions.
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I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
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I guess I wanted to leave America for awhile. It wasn't that I wanted to become an expatriate, or just never come back, I needed some breathing room. I'd already been translating French poetry, I'd been to Paris once before and liked it very much, and so I just went.
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I think the act of talking about something - with a friend, or someone in your family, or someone you care about, and you're discussing something that you both admire - can often sharpen your thoughts about what you've read or seen and help you think more clearly about it.
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Each time he took a walk, he felt as though he were leaving himself behind, and by giving himself up to the movement of the streets, by reducing himself to a seeing eye, he was able to escape the obligation to think, and this, more than anything else, brought him a measure of peace, a salutary emptiness within...By wandering aimlessly, all places became equal and it no longer mattered where he was. On his best walks he was able to feel that he was nowhere. And this, finally was all he ever asked of things: to be nowhere.
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I think most writers can't really think about their work without a kind of revulsion. And I think that's probably why we keep going back and trying again, trying to do better each time.
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My children haven't read 'Winter Journal'. They have read some of my work, but I really don't foist it on them. I want them to be free to discover it in their own good time. I think reading an intimate memoir by your father - or an intimate autobiographical work, whatever we want to call this thing - you have to come at it at the right moment, so I'm certainly not foisting it upon them.
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Some like to think that a keen appreciation of art can actually make us better people - more just, more moral, more sensitive, more understanding. Perhaps that is true - in certain rare, isolated cases.
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I don't know why I write. If I knew the answer, I probably wouldn't have to. But it is a compulsion. You don't choose it, it chooses you. And I wouldn't recommend it to anybody.
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I project myself so deeply into the characters in novels that I'm not thinking about my own life.
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When I am writing, even though it's hard and I do struggle often, I am happier than when I'm not writing. I feel alive. Whereas when I'm not writing, I feel like your common every-day neurotic.
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All through my writing life I've had this impulse to write autobiographical works.
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One should never underestimate the power of books.
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Money's important. Everyone cares about money. And when you don't have money, money becomes the overriding obsession of your life.
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When I write, the story is always uppermost in my mind, and I feel that everything must be sacrificed to it. All elegant passages, all the curious details, all the so-called beautiful writing - if they are not truly relevant to what I am trying to say, then they have to go.
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To leave the world a little better than you found it. That's the best a man can ever do.
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Dismantling the architecture of my discontent
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I think that's what turns young men and women into writers - the happiness you discover living in books.
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The best filmmakers, I think, have always had very narrow frameworks for their stories, and then they can go deeply, rather than skimming the surface.
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You have to protect it too, you can't let just any stupid person take it and do something demoralizing with it. At the same time, I don't believe in being so rigid about controlling what happens either.
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The kind of fiction I'm trying to write is about telling the truth.
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If you're not ready for everything, you're not ready for anything.