George Eliot Quotes
There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.
Quotes to Explore
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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If I don't love my character, I can't do it.
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I felt 'Gone with the Wind' would last five years, and it's lasted over 70 and into a new millennium. There is a special place in my heart for that film and Melanie. She was a remarkable character - a loving person - and because of that, she was a happy person. And Scarlett, of course, was not.
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I think things are funny when the character is taking it totally seriously.
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Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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Action is character.
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When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.
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When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
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There's such an emphasis on having a character be likable. I don't think it would be helpful if I worried about that. I mean, not everyone's likable.
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I don't act in the way other actresses act, in terms of building or creating a character. I don't transform myself into the role, I invest myself in the role.
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The moral and intellectual character of the Africans is widely different in different nations.
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We like to put people on a pedestal, give them one character trait, and if they step outside of that shrinelike area that we blocked out for them, then we will punish them.
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I get really flowery and verbose in my adult books, but I don't think I dumb down my Y.A. It's just cleaner and more snappy. And the adult books have multiple points-of-view. In my Y.A., it's always third person from the main character's perspective.
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There is always that thought that you might get stuck with a character. But there's always the notion that every character is always evolving.
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I love seeing people in their mess. I find that heartwarming. Charm just doesn't interest me. If I want to see charming people, I can watch TV.
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We don't rule out the possibility of military action and neither in our view should anybody else.
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There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.
