George Eliot Quotes
There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.
Quotes to Explore
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I'm trying to learn to smoke, which is rather weird when everyone is trying to stop. I'm not a smoker. But my character only smokes as an affectation.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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If I don't love my character, I can't do it.
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I felt 'Gone with the Wind' would last five years, and it's lasted over 70 and into a new millennium. There is a special place in my heart for that film and Melanie. She was a remarkable character - a loving person - and because of that, she was a happy person. And Scarlett, of course, was not.
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I think things are funny when the character is taking it totally seriously.
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I love disappearing. That's what acting is. For me it's about putting on a persona, stepping into a pair of shoes. It's my face, but I'm using it as a tool for that spirit, that character.
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Older women know who they are, and that makes them more beautiful than younger ones. I like to see a face with some character. I want to see lines. I want to see wrinkles.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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Action is character.
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When I'm creating a character, I don't see it so much as playing someone else as just playing a specific part of myself under certain circumstances.
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When you play a character, you get to see the world through their eyes. Whether it's a fictional world or a real world, you do get to see somebody else's point of view, whether he's a good guy or a bad guy.
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There's such an emphasis on having a character be likable. I don't think it would be helpful if I worried about that. I mean, not everyone's likable.
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I always work with the tempo of the energy of the character, whether he's fast or slow, or heavy or light.
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I don't act in the way other actresses act, in terms of building or creating a character. I don't transform myself into the role, I invest myself in the role.
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The moral and intellectual character of the Africans is widely different in different nations.
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I still feel like I have a lot to prove. My biggest burning question is 'How much more are you capable of?'
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There's only one Sabbath guitarist and he is the architect for everything, Tony Iommi.
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You get what you concentrate upon. There is no other main rule.
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Nature intends all men and women to be mental and spiritual giants, and does not intend that any one should follow the will of another.
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I have a strong spiritual commitment, and I try to express that in my work. Salvation cannot be worked out in human terms. The point of my writing is to touch upon the systematics of prayer and on how we arrive at a method of achieving spiritual coherence in our lives.
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There are characters which are continually creating collisions and nodes for themselves in dramas which nobody is prepared to act with them. Their susceptibilities will clash against objects that remain innocently quiet.
