Johnny Marr Quotes
When Morrissey and I started The Smiths, we thought pop music was the most important thing in the world. It was almost a spiritual thing for us, and because of that, we knew what it meant to be a fan.
Quotes to Explore
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I don't mind talking about 'what might have been,' but I am not one to doubt or regret most of my decisions.
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I don't think I have a signature.
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On my mother's side, I'm English, so that's where the freckles come from. On my father's side, I'm German, and he has the fantastic olive hues... I was given mum's skin, whereas my brothers and sisters were given my dad's skin. I do tan up quite well, but it takes me a bit longer.
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You know, I'm an African-American quarterback. That may scare a lot of people because they – they haven't seen nothing that they can compare me to.
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There is one thing women can never take away from men. We die sooner.
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I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
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The mistake that straight people made was imposing the monogamous expectation on men. Men were never expected to be monogamous.
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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My mother didn't set out to surround us with white students or colleagues. My mother just sought a quality education. People have these expectations of who they think you should be. And I say it's because they don't really understand Malcolm X - or his wife.
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There are many ways of showing your protest and discontent without the actions of Kremlin.
Garry Kasparov -
Boning is a pain, but it makes such a majestic chicken.
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There were so many pretty girls coming into the salon as clients, and others working in the salon. And I thought, 'Hmm. This is rather nice.'
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A person isn't who they are during the last conversation you had with them - they're who they've been throughout your whole relationship.
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People who drive Jeeps are people who like to do outdoor activities.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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I could battle rap forever, but it's a joke to me.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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The truth is not a bidimensional thing; it's not flat. It's rounded; it's like a sphere, so there's always a hidden face. There's one that is revealed because there's light reflecting on it, but there's always a hidden one, and once you go around to see the hidden one, it moves, and that's life.
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Many of the young people living in inner-city America don't see themselves - I mean, they even talk about things like death and dying. And there's a tremendous loss of hope. And of all the things to lose, I think nothing is worse or more difficult to overcome than the loss of hope.
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I don't really have a bad premiere experience. They're exciting at first. I think, when you first get into the business, you're excited about going down the line and seeing what that's like.
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The cock does not crow till it has thrice flapped its wings; the parrot in moving among boughs never puts its feet excepting where it has first put its beak. Vows are not made till Hope is dead.
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There is no true joy in a life lived closed up in the little shell of the self. When you take one step to reach out to people, when you meet with others and share their thoughts and sufferings, infinite compassion and wisdom well up within your heart. Your life is transformed.
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There are three reasons for becoming a writer: the first is that you need the money; the second that you have something to say that you think the world should know; the third is that you can't think what to do with the long winter evenings.
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When Morrissey and I started The Smiths, we thought pop music was the most important thing in the world. It was almost a spiritual thing for us, and because of that, we knew what it meant to be a fan.
