Johnny Marr Quotes
When Morrissey and I started The Smiths, we thought pop music was the most important thing in the world. It was almost a spiritual thing for us, and because of that, we knew what it meant to be a fan.
Quotes to Explore
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I don't mind talking about 'what might have been,' but I am not one to doubt or regret most of my decisions.
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I don't think I have a signature.
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On my mother's side, I'm English, so that's where the freckles come from. On my father's side, I'm German, and he has the fantastic olive hues... I was given mum's skin, whereas my brothers and sisters were given my dad's skin. I do tan up quite well, but it takes me a bit longer.
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You know, I'm an African-American quarterback. That may scare a lot of people because they – they haven't seen nothing that they can compare me to.
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There is one thing women can never take away from men. We die sooner.
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I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
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The mistake that straight people made was imposing the monogamous expectation on men. Men were never expected to be monogamous.
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It would make everything I worked for meaningless if baseball is integrated but political parties were segregated.
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My mother didn't set out to surround us with white students or colleagues. My mother just sought a quality education. People have these expectations of who they think you should be. And I say it's because they don't really understand Malcolm X - or his wife.
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There are many ways of showing your protest and discontent without the actions of Kremlin.
Garry Kasparov -
Boning is a pain, but it makes such a majestic chicken.
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There were so many pretty girls coming into the salon as clients, and others working in the salon. And I thought, 'Hmm. This is rather nice.'
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A person isn't who they are during the last conversation you had with them - they're who they've been throughout your whole relationship.
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People who drive Jeeps are people who like to do outdoor activities.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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I could battle rap forever, but it's a joke to me.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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The truth is not a bidimensional thing; it's not flat. It's rounded; it's like a sphere, so there's always a hidden face. There's one that is revealed because there's light reflecting on it, but there's always a hidden one, and once you go around to see the hidden one, it moves, and that's life.
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What resonates culturally with me about Japanese style is that it is very covered up but very sensual.
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Words are but the shell; meditation is the kernel.
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But no, I'm not political. My obligation is to pull the lever and elect somebody who's going to make life a little better for everybody, especially those who don't have as much good fortune as others.
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There you'll find the place I love most in the world. The place where I grew thin from dreaming. My village, rising from the plain. Shaded with trees and leaves like a piggy bank filled with memories. You'll see why a person would want to live there forever. Dawn, morning, mid-day, night: all the same, except for the changes in the air. The air changes the color of things there. And life whirs by as quiet as a murmur...the pure murmuring of life.
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When Morrissey and I started The Smiths, we thought pop music was the most important thing in the world. It was almost a spiritual thing for us, and because of that, we knew what it meant to be a fan.
