Jon Bernthal Quotes
Quotes to Explore
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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I just enjoy being onstage and relating to the audience.
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Part of my job as Children's Laureate is to visit schools and talk about my love of books and stories and encourage them all to do it as well - to read, to write, to never be afraid of their own voice. Because we all have something to say.
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I started off as a juggler. I used to do a half-hour show on the weekends to make money as a kid. Then I went to Cleveland, Ohio in 1983 to the international jugglers competition junior division and came second. So that was my first job, being a juggler.
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If I get a script that's set in the jungle it goes to the bottom of the pile because I don't think the playgrounds are going to be very good there! I'm really aware of how lucky I am but I have the kind of job where I can bring my child to work.
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Hosting is a thankless job.
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I don't think anyone's made a videogame yet that is me as the target audience.
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When I was in college my girl got me a job at the doctor's office she was working at. I was a file clerk. No disrespect but I don't think a man can do that job. It takes so much meticulous and precise file-keeping.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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Every time I do something, I worry it's my last job.
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If you can't get an acting job, then go backstage. Or take tickets.
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Californians are worried about whether they will have a job along with ballooning federal spending and deficits.
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I was studying music in college. I was singing, I was doing operas and Gilbert and Sullivan operettas, and then I was offered a job as the music director of the Bigfork Summer Playhouse, in Bigfork, Montana.
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I got a job as an assistant film editor, which lasted for a few years, but I found writing incredibly difficult, and I thought, 'How am I going to make a film if I can't write?' I didn't really comprehend that someone else would do that bit.
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My first job, which I had to take when not more than fifteen, was assistant to a fruit peddler. It seemed all right to me until a little girl told me snootily, 'We never deal with peddler!' Thereupon I resigned, ashamed of what I was doing.
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During the course of the seven years I played scenes with an oil slick, I played a scene with a grain of rice. Sometimes with indescribable creatures. I remember having a conversation with something which was simply a smell, that's all. It was part of our job.
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I've only got a Saturday job so my weekdays are generally pretty free.
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Let an audience be able to find it themselves without spoonfeeding it.
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I think that women are uniquely suited to the job of directing, and I've seen it firsthand.
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With Chelsea, the job was this: move up to the top, get into Europe. And I did that - fourth place in the Premier League and then into the Champions League, the season before Abramovich and all the money arrived.
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It does the American economy no long-term good to only keep the big box factories where we are now assembling 'American' products that are composed primarily of foreign components. We need to manufacture those components in a robust domestic supply chain that will spur job and wage growth.
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I really was very impressed with DMX during the whole experience on 'Romeo Must Die.' I like working with him. I liked him. And I was very impressed with the reaction of the audience when he was in the picture.
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I sweat. If anything comes easy to me I mistrust it.
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I think any time you can go after an audience that isn't built in, that's the job.
