Jon Hamm Quotes
I felt very comfortable playing Don Draper, because I knew that Don Draper is a character - that Dick Whitman is playing Don Draper. I felt very comfortable in that manufactured-confidence mode. He himself is manufacturing it.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I haven't gotten a lot of feedback about, 'Oh, you helped me in this way.' But on social media, people are like, 'Thank you for your positive posts,' or 'It's fun to see you grow and your character. I feel like I'm growing with you.'
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It's actually meditative to sit in a character for an extended period of time, realizing what your relationship is to who you're playing and then letting go, just being there.
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The four cornerstones of character on which the structure of this nation was built are: Initiative, Imagination, Individuality and Independence.
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But in action, one defies one's character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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My books are character-driven. They're not driven by the story.
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You try not to become so emotionally attached to your character, but you do.
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I will go to my grave being known as Marge Gunderson. It'll be on my gravestone if I have one. I don't mind that, because it was a great character.
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I felt 'Gone with the Wind' would last five years, and it's lasted over 70 and into a new millennium. There is a special place in my heart for that film and Melanie. She was a remarkable character - a loving person - and because of that, she was a happy person. And Scarlett, of course, was not.
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I try genuinely, when I'm playing a character, to not judge them and just to inhabit someone as how one sees them. That being said, you also want to make sure that you don't blur the edges of people too much because humans are naughty and complicated beings.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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I think things are funny when the character is taking it totally seriously.
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I think that you do get a little extra jolt of confidence when you win an Emmy.
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There's always something more to be accomplished with a character. Theater is a human experience. There's nothing shellacked or finished off about it. I guess that's why it always draws me back.
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Be comfortable. I think if you're comfortable, you exude confidence, and that leads to good style.
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If I could remake any Eighties project, it would be less an action flick than a character-driven drama with a rich story to tell.
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Yes, but the great thing about all the people - and I don't think there is any exception - who I've worked with is they've all been very, very talented musicians.
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With my height, I probably wouldn't be able to make money playing pingpong, but I would just have fun with it. The table is too low for me.
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Theater is about interpretation and what an actor and what a director brings to a piece too. I'm open to it every time I work with a director and a group of actors. I have to be open to that interpretation. I'm not one of those hysterical playwrights that come and say, "This is not what I intended to do." It's one rendition of the piece.
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I think my inner child wants to take over the world.
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I felt very comfortable playing Don Draper, because I knew that Don Draper is a character - that Dick Whitman is playing Don Draper. I felt very comfortable in that manufactured-confidence mode. He himself is manufacturing it.
