Jonathan Dimbleby Quotes
While I have corrected agreed factual errors, I have not been inhibited from writing what I felt to be the truth about The Prince of Wales.
Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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It never occurred to me that some people were seen as wrong or even different.
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I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.
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Do we really want Washington administrators coming between us and our doctors?
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The defiance of established authority, religious and secular, social and political, as a world-wide phenomenon may well one day be accounted the outstanding event of the last decade.
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The most interesting thing about a postage stamp is the persistence with which it sticks to its job.
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We shook up the industry with our landscape-changing deal to acquire Time Warner, the logical next step in our strategy to bring together world-class content with best-in-class distribution which will drive innovation and more choice for consumers.
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After a long day, my favorite way to unwind is by going running. Not exactly the most relaxing activity, granted, but I always imagine I'm sweating out all the things weighing on my mind.
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A true heiress is never mean to anyone - except a girl who steals your boyfriend.
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Creative people are more prone to depression.
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I auditioned in Chicago for Juilliard and didn't get in. I was basically living in a back room of my parents' house, paying rent and not doing anything with my life. I'd like to say it was patriotic to join the Marines, but it was also that I was doing nothing honorable with my life and spending too much time at McDonald's.
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The way management treats associates is exactly how the associates will treat the customers.
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Hollywood has its own way of telling stories. I was just telling stories that I was familiar with. And it's what I want to do in the future: I want to take my audio cinema and put it on the screen.
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I actually think one of my strengths is my storytelling.
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It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen.
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To feel valued, to know, even if only once in a while, that you can do a job well is an absolutely marvelous feeling.
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There's very few geniuses that come and revolutionize everything. For the rest of us that want to be artists and have something to say, it's a lot of work and a lot of luck.
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I think it's great if a guy has a good sized package.
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In the spring of 1988, my wife, Joan Didion, and I were approached about writing a screenplay based on a book by Alanna Nash called 'Golden Girl,' a biography of the late network correspondent and anchorwoman Jessica Savitch.
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I grew up in an all-female family - two sisters and a mostly single mother - and we often bonded, in part, by disparaging men and feeling superior to them.
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While I have corrected agreed factual errors, I have not been inhibited from writing what I felt to be the truth about The Prince of Wales.
