Francis Lawrence Quotes
I think the movie business and film crews are a little bit like the circus, in that we travel around like a pack and we're a big family for a finite period of time. We roll into someplace, cause a bunch of damage, and then roll out.

Quotes to Explore
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Every great work of art has two faces, one toward its own time and one toward the future, toward eternity.
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Well Sid Pollack was... He was I would say probably, probably the most influential on me.
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There are people who go clad in tunics and have nothing to do with furs, who nevertheless are lacking in humility. Surely humility in furs is better than pride in tunics.
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There are no limits to our future if we don't put limits on our people.
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I've never been against women. That anti-feminist rap is bogus. I think men should be nice to women, buy them diamonds.
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Going out for a meal, especially for young urbanites, is less about socialising over enjoyable food than about enjoying food as a way to socialise.
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I've been embracing gray hair since... high school, and I don't think that anything's changed since then.
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I can tell you all kinds of moral tales, but fashion and reality are vaguely different.
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I'm not cut out to be a detective on 'Law & Order' - I laugh too easily.
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There is a danger in monotheism, and it's called idolatry. And we know the prophets of Israel were very, very concerned about idolatry, the worship of a human expression of the divine.
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A pound invested in energy efficiency buys seven times more energy solution than a pound invested in nuclear power.
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Don't you want to know what's real and what's not? I remember when I was a kid, you know, this whole Cold War thing. They had us scared of the Russians. So, it's almost like, what's real and what's not?
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Remember, when God is executing His plan in our lives, He also designs and arranges events which continue to unfold until His purpose is revealed.
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I think traveling made me who I am. When I was 16, I was an exchange student in England, and that was the year that I kind of feel like I was on the road going one direction in life, and it just kind of shifted me over, and I finished high school, and I went traveling for three more years instead of going to college.
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I kind of see myself as a cartoon that's on its way to becoming a real person that has to find that special amulet or mushroom to get to that next realm or level. I don't feel like anything is that tangible. It freaks me out, why I feel unhappy or conflicted and why that can change on a dime.
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Man falls from the pursuit of the ideal of plan living and high thinking the moment he wants to multiply his daily wants. Man's happiness really lies in contentment.
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There is no ageism or 'youthism' when it comes to freedom of speech. We are all citizens.
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I guess I'm attracted and repelled by isolation. It scares me. And it's why I tend to write about older characters, too, because for them the stakes are somewhat higher.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I would just like to tell my fans how much it means to me to make a movie that they like.
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Are there women in your world now that have given you those lessons in confidence? Oh absolutely. Meryl [Streep] does it all the time. I think she does it in a way that she doesn't even understand or think she's doing it.
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I would trade all the individual awards I've won for a World Cup.
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I think the movie business and film crews are a little bit like the circus, in that we travel around like a pack and we're a big family for a finite period of time. We roll into someplace, cause a bunch of damage, and then roll out.