Peter Stuyvesant Quotes
Quotes to Explore
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Never fear to deliberately walk through dark places, for that is how you reach the light on the other side.
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I am always locked in my design studio.
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Born with blue spectacles, you would think the world was blue and never be conscious of the existence of the distorting glass.
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We sit and read the paper in conjunction with having a little breakfast. Usually fruit salad, or I make myself a smoothie with rice milk, coconut water and yogurt.
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Society becomes how we behave.
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Fiction basically is a form of gossip where you want to enter other people's lives, the lives of people you don't know, and you want to know what's going to happen to them.
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When you play on a team, you learn that there will always be five guys you like, a bunch of guys who are OK, and five you despise. The trick to getting along in any system is not to worry about the five you despise.
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We are all inclined to judge ourselves by our ideals; others by their acts.
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I'm probably borderline OCD. I insist on having all objects at right angles to each other. So a fork has to be at a right angle to the knife on the table. The salt and pepper pots have to be placed close together. Only recently have I started to notice it's a weird way to behave.
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I don't want to do anything like Can't Hardly Wait, I don't want to do anything like Scream. I saw all those movies, and they were good, but they're just not what I want to do.
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I love watching action. I remember watching Angelina Jolie in 'Tomb Raider,' and I was like 'Wow, it's so cool when a girl can go around and kick butt.'
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The pianist Cecil Taylor is extremely melodic; the guitarist Derek Bailey is extremely melodic, and Ornette Coleman.
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I'm not crazy. I play a lot of crazy characters, but I'm an actor.
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The truth is women use contraception not only as a way to prevent unintended pregnancies, but also to improve their health and the health of their families. Increased access to contraception is directly linked to declines in maternal and infant mortality.
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If you're not careful, you can fall into a destructive cycle of self-pity.
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Whatever I have done so far has led me to 'Kaabil.' It is a big opportunity for me to establish myself more commercially. It is a huge platform.
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A lot of guys go in immediately for status, as opposed to comfort and allowing their home to tell a story about them.
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People are intimidated in court, and I try to make them more comfortable.
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I got amazing training both with Theatre Sports... back in Edmonton, Alberta - I can't give those people enough credit - and the daytime drama I did. Incredible training, both of them.
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I remember teaching a clinic to other coaches, and a guy raised his hand and asked if I had any advice when it came to coaching women. I leveled him with a death-ray stare, and said, 'Go home and coach basketball.'
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The original item looked like a little hand cart with the figure of a man mounted on a platform between the wheels. The man's outstretched arm always pointed south.
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These ways to make people buy were strange and new to us, and many bought for the sheer pleasure at first of holding in the hand and talking of something new. And once this was done, it was like opium, we could no longer do without this new bauble, and thus, though we hated the foreigners and though we knew they were ruining us, we bought their goods. Thus I learned the art of the foreigners, the art of creating in the human heart restlessness, disquiet, hunger for new things, and these new desires became their best helpers.
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Few men have led a more active life - bodily or mentally - from a constitutional anxiety for regularity, precision, and order, during fifty years' business career, from which I had retired.
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It is not the least anxiety that we have so little powder and lead on hand.
