George Plimpton Quotes
I remember being awed by it - the uniqueness and nicety of style - and I suspect I was a bit jealous because we were more or less of the same generation.
Quotes to Explore
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A common mistake people make regarding dining rooms is to buy a matching set of table and chairs, which can be monotonous. I like to mix guest chairs in one style and head chairs in another for a more interesting, dynamic look.
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Sketching is almost everything. It is the painter's identity, his style, his conviction, and then color is just a gift to the drawing.
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Well I love preppy style; I like J. Crew for guys.
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I have always been interested in having people fall into the image and be aware of their reaction first, and then think about the style.
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I would describe my personal style as eclectic.
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My biggest style inspirations come from the '90s. I'm really inspired by TLC, Janet Jackson, and designers like Jeremy Scott. I'm hugely inspired by Club Kids from New York back in the '90s. I'm inspired by the drag queen scene. Combat boots and the torn off jeans and a baggy shirt - I love that look.
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When you buy things that are expensive, like a sofa or something that really feels like an investment, you need to keep it as plain as possible, as simple as possible. Make sure that it's a clean design that will work with whatever style you want it to.
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Every individual has his own style, his own way of presenting himself on and off the field.
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It's fun to be an actor and dress up, but I'm happy being me and just loving accepting my personal style.
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A style is not a matter of camera angles or fancy footwork, it's an expression, an accurate expression of your particular opinion.
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I do not follow the rules of fashion, and I don't like to be considered a man of the world of fashion. I like to call it the 'style industry' because we try to work on taste.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
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After watching films of Jim Brown, I noticed that he never ran out of bounds. He always ran North and South and that's what I turned my style into. I was a North and South runner.
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I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style.
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My style in diplomacy is my style as a human being - I'm very direct and very honest.
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I don't think it's going to be possible for the next generation of writers to tell stories without telling stories about telling stories.
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The conflation of the simple in style with the morally prescriptive in character, and the complex in style with the amoral or anarchic in character, seems to me one of the most persistently fallacious beliefs held by English students.
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Food was a big part of our family gatherings, but it was usually pasta. We didn't eat that well. Everything was home-made but not much veg or fruit.
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I knew I was going to be somebody.
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Because I'm so in the eye of the hurricane, I don't have a really good perception of what's happening. I'm in a room talking to people, and that's all I know. But sometimes I go out of these rooms - I live in L.A., and every now and then, maybe twice a week, I'll be somewhere, and someone will say, 'Hey, are you the guy that made Moonlight?'
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Marlon Brando. The finest actor who ever lived. He was my idol when I was 13. He's done enough work to last two lifetimes. Everything I do, I think: Can Brando play this with me?
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I focus on a lot of women's issues.
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I remember being awed by it - the uniqueness and nicety of style - and I suspect I was a bit jealous because we were more or less of the same generation.
