Josh Lawson Quotes
You can never predict what an audience is going to respond to and what they're going to watch.
Quotes to Explore
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I always watch the work I do.
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I actually think I have an audience member's sensibility about going to the movies.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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'The Pianist' is a movie I could watch over and over again.
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I'm happiest when I can just be a director and watch.
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I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.'
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I have this whole new audience now.
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I never skimp on TV. I watch an embarrassing amount of TV shows. I don't even know how I do it.
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'Vicky Donor' proved that the audience was waiting for well-scripted funny films.
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I tend to watch a little TV... Court TV, once in a while. Some of the cases I get interested in.
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A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
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I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
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I do miss the people in the audience and the fun: "I came with my mother! And this is my mother!" I miss that. I miss: "My cousin and I came all the way from...." I miss that. I don't miss this - who is left to interview?
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You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
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My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth perception is a bonus when you're trying to lay out flat images and describe them to an artist - flat is all I see.
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I've been really lucky.
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I love my job; I love the world that it is. But I don't want someone who is just in love with that world. I want to be with someone who is in love with me, warts and all.
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You can never predict what an audience is going to respond to and what they're going to watch.
