Josh Lawson Quotes
You can never predict what an audience is going to respond to and what they're going to watch.
Quotes to Explore
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I always watch the work I do.
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I actually think I have an audience member's sensibility about going to the movies.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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'The Pianist' is a movie I could watch over and over again.
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I'm happiest when I can just be a director and watch.
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I didn't watch T.V. from the time I was 18 'til my mid-30s. And then I got a T.V. to watch 'The Sopranos.' I realized, 'Oh, T.V. is really interesting.'
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I have this whole new audience now.
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I never skimp on TV. I watch an embarrassing amount of TV shows. I don't even know how I do it.
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'Vicky Donor' proved that the audience was waiting for well-scripted funny films.
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I tend to watch a little TV... Court TV, once in a while. Some of the cases I get interested in.
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A few friends and me used to go and watch Bunuel, Carne, Cocteau... Cocteau and Bunuel were surrealism. And I was very excited by that. 'Un Chien Andalou', especially.
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I don't want to show deleted scenes. I don't like an audience looking at what the movie might have been - if it's in the movie, it's in the movie.
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I do miss the people in the audience and the fun: "I came with my mother! And this is my mother!" I miss that. I miss: "My cousin and I came all the way from...." I miss that. I don't miss this - who is left to interview?
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A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.
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British passion for Chinese tea was unstoppable, but the Chinese had no desire for our offerings, however much we tried to sell them woolen clothes or cutlery.
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I pretty much left full-time, formal education when I was 11, so that was when I was taken out of the school system... The longest stretch I would go back for was a term and a half when I was about 14.
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The nature of the new world system was not so different from the old. It was for the moment more stable, but a reasonable forecast would be that Africa in particular had a century of border wars ahead of it.
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I am the beast with a contorted grin, contracting down to illusion and dilating toward infinity, both growing and dying, delightfully suspended between hope for nothing and despair of everything, brought up among perfumes and poisons, consumed with love and hatred, killed by lights and shadows. My symbol is death of light and the flame of death. Sparks die in me only to be reborn as thunder and lightning. Darkness itself glows in me.
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You can never predict what an audience is going to respond to and what they're going to watch.
