Josh Malerman Quotes
I can't imagine writing a novel without some sound. When you're facing a few hundred blank pages, silence can be cold.
Quotes to Explore
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The problem of the world today is the people talk on and on about democracy, freedom, justice. But I don't give a damn about democracy if I am worried about survival.
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I've been in this business for 40 years - you do a show, and you don't know what's going to come of it.
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There is always the fear of failure, and if you struggle, you become nervous, and that's when the underdogs have an opportunity to create a surprise.
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Millions of people are married. I've never picked up a paper and seen a headline that says, Man Gets Married!
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I'm just little me, an American who wants to see his country do better.
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I wonder now how tough you have to be to get big things done.
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It's very likely that I will finish my career as Swiss national coach.
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Archery requires very sensitive muscles.
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My schedule is so crazy.
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Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.
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I've used a cellphone exactly twice. Things move on. The world changes. And I don't know it.
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And so, the youngsters you have today, even though there are far fewer of them - in World War II 16.5 million men and women in uniform, today roughly a million in uniform in spite of the fact that the country is almost twice as large a population as we had in World War II.
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There's always room to volunteer. I think that's a huge space to be involved with.
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I didn't grow up with a mother, so I don't have that resource to rely on and ask a million questions.
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Stupidity is a talent for misconception.
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To assume all the powers is not good for anybody. Power corrupts and absolute power corrupts absolutely. All those experiments have a bad ending.
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I don't necessarily love the sports per se, I love the stories behind them. Also in a kind of perverse way I like to study what it does to us, why we care so much. It's caring about something that's utterly meaningless.
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With sad music, or music that's perceived as sad, there's a sense of solidarity that can be really powerful. My songs are all joyful to me.
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Everybody wants to have a partner; everybody would love to have a family, and for trans people, sometimes that can be extraordinarily difficult to do.
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I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.
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My first instrument was my voice. I was always singing and writing melodies when I was a little kid. I just sort of taught myself whatever was around. If there were instruments around, I'd play them. I always liked the idea of not being shown but coming up with my own energetic connection to the instrument.
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Once to get my meaning down, once to put in anything I have left out, once to take out anything that seems unnecessary, and once to make the whole thing sound as if I have only just thought of it.
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I can't imagine writing a novel without some sound. When you're facing a few hundred blank pages, silence can be cold.
