Paul Gauguin Quotes
Proficiency in art is a contract with your self and the empowerment of your self. Not all of us demand or even desire proficiency, but for those who do it's necessary to temper the influence of groups. And while some artists think history is bunk, the historical evidence is overwhelming: "In my isolation I grow stronger."
Quotes to Explore
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Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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Cultural tourism surveys consistently rate San Francisco's art industry as a core reason for visiting.
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If you want to provoke, you should provoke someone who is stronger than you, otherwise you are misusing your power.
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You don't have to aim to be the best of everything, thinking that one day you're going to be the top of the world; I don't think it exists.
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Just as theater has to be where people live, actors have to go out in the marketplace - not be cut off by a lens. Either an artist grows or he stagnates.
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Art is the lie that enables us to realize the truth.
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As an independent artist, you control the means of production, which is the ultimate form of empowerment.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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The history of art is the history of revivals.
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The work of art assumes the existence of the perfect spectator, and is indifferent to the fact that no such person exists.
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For me it's very important to turn Kiev into one of the main centers of contemporary art in the world. There is New York. There's London. And there will be Kiev. Everyone will come and say, 'Wow!'
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When one looks into the window of a store which sells devotional art objects, one can't help wishing the iconoclasts had won.
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Ephemeral work made outside, for and about a day, lies at the core of my art and its making must be kept private.
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Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.
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My charity is called 'Grand Kids.' People keep thinking it's 'Grandkids.'
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Nothing is art if it does not come from nature.
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I cannot be Mary Hart - or even worse, Samantha Harris - and stand there with my hip out talking about Tom Cruise and Katie Holmes taking Suri to an art museum without making fun of it.
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I think about and study people. I think I make people uneasy sometimes by being so curious as to why they do what they do. I find myself thinking about this fairly obsessively, and I can't stop until I've found an answer.
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I think that in Sweden and a lot of European countries, there's this whole mythology of the wounded artist: that you can't really do any great art unless you're suffering.
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I'm Native American, so the racial thing kind of hits home with me.
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I won't think about what people will say, even when I am actually seeing someone. Somebody will say something, then someone else will contradict it. I can't keep chasing all of them and try and correct everyone.
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Proficiency in art is a contract with your self and the empowerment of your self. Not all of us demand or even desire proficiency, but for those who do it's necessary to temper the influence of groups. And while some artists think history is bunk, the historical evidence is overwhelming: "In my isolation I grow stronger."
