Wayne White Quotes
Exposing something that's painful or raw or not so pleasant. That seems to be the dramatic motor of documentaries, exposure.
Quotes to Explore
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The work that is truly productive is the domain of a steadily smaller and more elite fraction of humanity.
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I really enjoy the fun of putting something out and people liking it or hating it or talking about it, but vacuous attention, it feels disgusting. It's like a hangover.
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If you don't go to a dance, you can never be rejected, but you'll never get to dance, either.
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I frequently go to the ballet, but I don't miss it in the sense that I wish I were still dancing.
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There's a lot of pride that business owners have. It's actually really critical that pride and ownership extends to everyone in the organization. I think of everyone is in the same boat in driving the company forward.
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I've accompanied several dying people on their travels, and the desert seems to be a favored destination. It is very hot and dry and lyrical in its own way.
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Capri on the Amalfi Coast in Italy is my ultimate holiday destination.
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The only thing I can stand about the Trump campaign are Ivanka's shoes.
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I love Germany so dearly that I hope there will always be two of them.
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Even today, England is a very repressed, repressive country, and there's pressure to be kind of a certain way, so people do things that ultimately make them sad.
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Probably fishing is my first passion.
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I know the freedom that cycling gives you in terms of being able to just jump on and go.
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First, the oil and gas business pays its fair share of taxes. Despite the current debate on energy taxes, few businesses pay more in taxes than oil and gas companies. The worldwide effective tax rate for our industry in 2010 was 40 percent. That's higher than the U.S. statutory rate of 35 percent and the rate for manufacturers of 26.5 percent.
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Happy is the man who knows or even the man who remembers those silent vigils where silence itself was the sign of the communion of souls!
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Shane: "Score," he said, and raised the crowbar in triumph. "Who's your daddy?" - Black Dawn
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Lenin thought abstract art was a conspiracy by the bourgeois to demoralize the proletariat. Yeah, socialist realism!
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I came from a Sorkin-like project in the sense that there was no freedom to change a line, which, in a weird way, is its own freedom because you're living within that structure and know this is what it is. You just adjust. Every project has its own personality.
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I am shocked at how much time I spend in the White House. I mean, you know, for people on the outside, the idea of going to the White House for a meeting must seem like the most important, serious, even glamorous kind of thing to do.
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There's definitely a sense of responsibility and it's something I take very seriously. It's an honor. There's pressure, but that's a good thing and something I feel very fortunate to have. I take great responsibility for it. Not every number gives you pressure. This number, the No. 3, means so much. It pushes me to be better, to go to the gym, to talk to my crew chief Gil Martin, and to be with the guys on the team every day. The number pushes me and that's a good thing.
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We needed something dramatic. Maybe you have a different perspective when you're seeing it from the bench. It's kind of interesting how you can see things a whole lot easier from the bench than from when you're on the floor.
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Exposing something that's painful or raw or not so pleasant. That seems to be the dramatic motor of documentaries, exposure.
