Judy Collins Quotes
Quotes to Explore
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Fashion is very tough, and we shouldn't forget that before designers were money-makers, they were artists.
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There is no finer sonic-producing weapon for a guitar slayer than a hand crafter Gibson masterpiece.
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My vision of the border with Mexico is that a truck from the United States going into Mexico and a truck coming from Mexico into the United States will pass each other at the border going 60 miles an hour. Yes, we should have open borders.
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I got into television, and I'm a television guy, so I've never really had a movie career.
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For many, the hijab represents modesty, piety and devotion to God, and I truly respect that. But the hijab should not be used as a means of applying social pressure on people.
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I have a very 'theatre' face. I have what they call a wide mask. I probably would have been a big film star in the '20s with the silent films where they used a lot of key lighting, and make-up carved out your face.
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I get most of my inspiration from older records. Most of the records that I listen to were probably made before I was born, and I was born in the mid-'70s. I don't know why, exactly, I'm drawn to those sounds.
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The wide world is all about you: you can fence yourselves in, but you cannot forever fence it out.
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I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
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The inventory goes down the elevator every night.
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Michael Jackson and I talk all the time. I think we understand each other in a way that most people can't understand either of us.
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I used to watch a lot of musicals as a kid. Musical movies, not so much musical theater.
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A new bubble will replace the old one. A new technology will come along to fix the messes we made with the last one. In a way, that is the story of the settling of the Americas, the supposedly inexhaustible frontier to which Europeans escaped.
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I left Edinburgh to follow the London punk scene in 1978, singing and playing guitar in various bands. My income was sporadic, so I did anything to eke out some kind of subsistence - laying down slabs, working as a kitchen porter.
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I saw an opportunity to use a restaurant to identify a lot of my issues and concerns with being an immigrant in America, and Asian in America, and a young person in America.
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Anyone in public life who comes out, comes out primarily for themselves, and their life is immediately improved. That's what happened to me.
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I think I matured quite early, but what that does mean is I have moments of complete immaturity. When I come home, I don't want to be an actor. I just want to be a kid. I barely even know what money is.
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Red is such an interesting color to correlate with emotion, because it's on both ends of the spectrum. On one end you have happiness, falling in love, infatuation with someone, passion, all that. On the other end, you've got obsession, jealousy, danger, fear, anger and frustration.
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My first role was in the George Gershwin musical 'Crazy for You' at the Orlando Repertory Theatre when I was 11 - I grew up in Florida - and I wasn't old enough to be in it, but they let me anyway. I was just this little shrimp in a leotard.
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Finally, when all was said and done, the certainty (so often experienced, yet always new) that female charms, the kind that inflame the senses, are no more than kitchen smells: they tease you when you're hungry and disgust you when you've had your fill.
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Ensuring that our children have more and better opportunities is the essence of the American dream.
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Home is - or should be - a place for companionship, for rearing children and having friends and family over for meals while the dog begs for scraps under the table.
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America is tough for rock music. Rock n' roll used to be the main music for the youth, and it's not so much anymore. It's hip-hop and stuff.
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I look in the mirror through the eyes of the child that was me.
