Julia Bacha Quotes
Violence and nonviolence are, after all, two different forms of theater. They both depend and thrive on the response of an audience.
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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Non-violence is the article of faith.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I much prefer doing comedy. I get a little paranoid when the audience is not laughing.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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You as an audience can look at these things as films, but I remember them as social experiences.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I have this whole new audience now.
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I don't think anyone's made a videogame yet that is me as the target audience.
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Sustaining an audience with a web series is an impossible task.
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Anytime you get an audience that's paying attention, you enjoy it more.
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One of the things I find about acting is that the less the audience knows about the actor, the more they're able to believe in him in the role.
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A lot of people get flipped out if you're quiet. They say stuff like, What are you thinking? And if they don't start interrogating you, they start talking, going on and on about stuff that's totally irrelevant, and the silence gets so big and loud that it's scary.
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I had lots of posters on my bedroom wall of players like Zico, many Brazilian and Italian players, not many players in particular but I loved football so much and I especially loved skilful players.
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Too many people dwell on the past: the thing is to get on with life.
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Belief demands that you dispense with illusion after illusion, while contemporary common sense requires continual, fluffy pretending - pretending that might as well be systematic, it's so thoroughly incentivised by our culture.
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Violence and nonviolence are, after all, two different forms of theater. They both depend and thrive on the response of an audience.
