Santi White (Santigold) Quotes
Quotes to Explore
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But in Japanese, there's actually not much of a relationship between the music and the words.
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I just love vintage. I have far too many vintage dresses.
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It sounds kind of stupid, but I've never not wanted to be a musician. It's been inside me since I was little so I don't know what else I would do.
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She was a great lady. We raised three boys, were together as long as she lived, and now she's passed on.
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God is like the sun. When the sun shines, it shines for everyone. God is for everyone.
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The witty woman is a tragic figure in American life. Wit destroys eroticism and eroticism destroys wit, so women must choose between taking lovers and taking no prisoners.
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I'm an artist at heart.
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While there's capitalism, there'll be socialism, because there is always a response to injustice.
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The IT bubble is the IT bubble, and of course, we became a company that contracted dramatically in 2001 and 2002: we basically came down by 45,000 people - a dramatic ramp-down.
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Growing up, I had a very happy childhood, with two parents who are still very much together.
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I want to reveal in a simple way the usual - and unusual - life of the city; the corporation workman, the busmen, policemen, the civil servants, the theatres, Moore Street and also, what occupies so large a place in Dublin's life, the literary and artistic.
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The way I write is that I'll actually have a conversation out loud with myself. In a weird way, I just kind of get schizophrenic and play two characters.
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I remember, one day, I just printed out about a hundred CVs, and I was running around London. I was going to modeling agencies, temping agencies, anything. I was so desperate.
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I was raised by women. Now I'm raising women. I was always better around girls. I live in an all-female household. I even have two female dogs... It's funny how that turned out.
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Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
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I think politics today is all about false choices: You can have a robust energy economy and a challenged environment, or a great environment and no economy. That's a false choice. You can do both.
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My grandpa would come in with water and flick it on our faces at 6 A.M. and be like, 'If you don't get up to feed the horses, you don't get to ride them.' We'd get up.
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I was a guinea pig for some hoodlums who thought they could hurt me and frighten me and keep other Negro entertainers from the South.
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The history of American women is all about leaving home - crossing oceans and continents, or getting jobs and living on their own.
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I don't think Twitter is a platform to build your confidence on at all. Not at all.
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There's something so great about being with your nephew and, when you're tired, just handing him off back to your sister.
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With art and the work you do, it has to be constantly dictated by what you're feeling and where you want to go with it.
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I was managing editor for a while [in National Lampoon ], and it does cause business problems when your circulation goes up.
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So I don't think of myself as just a musician at all, I think of myself as an artist.
