Santi White (Santigold) Quotes
Quotes to Explore
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But in Japanese, there's actually not much of a relationship between the music and the words.
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I just love vintage. I have far too many vintage dresses.
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It sounds kind of stupid, but I've never not wanted to be a musician. It's been inside me since I was little so I don't know what else I would do.
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She was a great lady. We raised three boys, were together as long as she lived, and now she's passed on.
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God is like the sun. When the sun shines, it shines for everyone. God is for everyone.
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The witty woman is a tragic figure in American life. Wit destroys eroticism and eroticism destroys wit, so women must choose between taking lovers and taking no prisoners.
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I'm an artist at heart.
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While there's capitalism, there'll be socialism, because there is always a response to injustice.
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The IT bubble is the IT bubble, and of course, we became a company that contracted dramatically in 2001 and 2002: we basically came down by 45,000 people - a dramatic ramp-down.
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Growing up, I had a very happy childhood, with two parents who are still very much together.
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I want to reveal in a simple way the usual - and unusual - life of the city; the corporation workman, the busmen, policemen, the civil servants, the theatres, Moore Street and also, what occupies so large a place in Dublin's life, the literary and artistic.
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The way I write is that I'll actually have a conversation out loud with myself. In a weird way, I just kind of get schizophrenic and play two characters.
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I was raised by women. Now I'm raising women. I was always better around girls. I live in an all-female household. I even have two female dogs... It's funny how that turned out.
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Most artists I run into aren't that thrilled with what they do anyway. They are glad to have different versions out there to see which one the audience likes the best.
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I think politics today is all about false choices: You can have a robust energy economy and a challenged environment, or a great environment and no economy. That's a false choice. You can do both.
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My grandpa would come in with water and flick it on our faces at 6 A.M. and be like, 'If you don't get up to feed the horses, you don't get to ride them.' We'd get up.
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I was a guinea pig for some hoodlums who thought they could hurt me and frighten me and keep other Negro entertainers from the South.
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I learned a lot from the various artists I produced. Either you see them doing something that you do want to do it, or you see them doing something the way you don't want to do it.
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If I was 14 or 15 again, I would do the same thing. I've done everything. I think I've accomplished more than I had in mind.
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It was never the fame or fortune that drove me to act. It was something I love and enjoy doing it. A lot of people identify who they are by what they do and that's not me. It's what I do but not who I am. Who I am is a parent. I'm a family man.
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We ought to recognize that religious strife is not the consequence of differences among people. It's about conflicts between creation stories.
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For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
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So I don't think of myself as just a musician at all, I think of myself as an artist.
