R. A. Salvatore Quotes
You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
R. A. Salvatore
Quotes to Explore
In the '50s, I was traveling alone all over Mindanao, Basilan, all the way to Tawi-Tawi with just a camera and a notebook. I always stayed in the houses of Moros.
F. Sionil Jose
Specialists are people who always repeat the same mistakes.
Walter Gropius
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
Finn Wittrock
I've seen a couple white girls coming to my concerts wearing head wraps, and I think they look so cute. It's kind of sad to see that people are really into separation, trying to separate everybody and making a clear division of 'us against you,' even with fashion. That sucks. It's not the way the world is supposed to be.
Yuna
For as long as our people are held hostage by controllable socio-economic forces, we cannot afford to be indifferent to the ravages of poverty in all its dimensions and ramifications.
Ibrahim Babangida
You have got to clean your own house first before you tell other people that they aren't doing it right.
Dan Webster
Turbulence is the beginning of a fruitful process of transformation.
Indra Nooyi
When writing on black life, whites have often been unwelcome, usually called upon to give witness or hauled in as the accused.
Darryl Pinckney
We lose ourselves when we compromise the very ideals that we fight to defend. And we honor those ideals by upholding them not when it's easy, but when it is hard.
Barack Obama
But then foreign critics right away made sweeping comparisons to haiku, noh theater, and directors like Ozu, as if the movie were somehow representative of Japan - which was, well, not what I was after. Similarly, with After Life, I deliberately set out to make a movie that was unlike what I imagined the foreign conception of Japan to be, and I figured non-Japanese wouldn't find it interesting at all.
Hirokazu Kore-eda
You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
R. A. Salvatore
