Sasha Cohen Quotes
I don't take anything for granted with nationals. I can't count out anyone or know what anyone is doing. I have to prepare the best I can, that's all I can control. I don't consider myself to have anything on a platter.
Quotes to Explore
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I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.
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I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
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I remember when I was little, much younger than I was when I started modeling, people always said, 'Oh, you should be a model.' But I didn't like people telling me what to do... But I didn't plan to transform into an actress, either. It just happened.
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Is it possible that there are no coincidences?
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For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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If a queen bee were crossed with a Friesian bull, would not the land flow with milk and honey?
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
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I don't have any dream role. I give my 100% to every character I play, and when the film clicks, it automatically becomes a dream role.
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I was relatively technically adept. I can edit and wire up a light.
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I work in my attic, and the view is next door's chimney stack.
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I learned this early on in the variety business: You've got to give folks responsibility, you've got to trust them, and then you've got to check on them.
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My whole career has been trying to please people in basketball. Now it's time to please myself.
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Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
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For 'A Little Night Music,' I did try to get little bit more beefed up for that because I thought that would help me carry myself around the stage in that character.
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Christine Bass was my high school music teacher. She took a program on its last legs and within a few years turned into one of the best programs in the country. Our high school dominated national choir competitions all through her 20-plus year tenure.
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I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
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Then they started pulling me in and I was very resistant. All the other actors would be saying write more, more dialogue for me, and I'd always be saying 'No, less, less'.
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Suddenly a single shot on the extreme left rang out on the clear morning air, followed quickly by several others, and the whole line pushed rapidly forward through the brush.
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We still spend more time chasing funds than we do in the studio in creative work.
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I generally circuit train and do Pilates.
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I learned that life will go through changes - up and down and up again. It's what life does.
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I don't take anything for granted with nationals. I can't count out anyone or know what anyone is doing. I have to prepare the best I can, that's all I can control. I don't consider myself to have anything on a platter.
