Sasha Cohen Quotes
I don't take anything for granted with nationals. I can't count out anyone or know what anyone is doing. I have to prepare the best I can, that's all I can control. I don't consider myself to have anything on a platter.
Quotes to Explore
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I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.
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I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
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I remember when I was little, much younger than I was when I started modeling, people always said, 'Oh, you should be a model.' But I didn't like people telling me what to do... But I didn't plan to transform into an actress, either. It just happened.
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Is it possible that there are no coincidences?
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For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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If a queen bee were crossed with a Friesian bull, would not the land flow with milk and honey?
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
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I don't have any dream role. I give my 100% to every character I play, and when the film clicks, it automatically becomes a dream role.
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I was relatively technically adept. I can edit and wire up a light.
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I work in my attic, and the view is next door's chimney stack.
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I learned this early on in the variety business: You've got to give folks responsibility, you've got to trust them, and then you've got to check on them.
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My whole career has been trying to please people in basketball. Now it's time to please myself.
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Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
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For 'A Little Night Music,' I did try to get little bit more beefed up for that because I thought that would help me carry myself around the stage in that character.
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Christine Bass was my high school music teacher. She took a program on its last legs and within a few years turned into one of the best programs in the country. Our high school dominated national choir competitions all through her 20-plus year tenure.
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I became fascinated with the concept of speak no, see no, hear no evil. And - and the actual depiction of three wise monkeys. And I began collecting it over the years. And I kind of figured that I might be the - the fourth monkey, the feel no evil monkey.
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I wanted to make a black 'Dynasty.'
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No learning can make up for the failure to pray. No earnestness, no diligence, no study, no gifts will supply its lack.
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The American people deserve their government to be open and accountable.
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Any fighter, at the end of the day, that says it's not about the money is ridiculous. We wouldn't be training this hard, putting our bodies on the line, and torturing our bodies if there wasn't a payday at the end of the day.
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Satire is a form of social control, it's what you do. It's not personal. It's a job.
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I don't take anything for granted with nationals. I can't count out anyone or know what anyone is doing. I have to prepare the best I can, that's all I can control. I don't consider myself to have anything on a platter.
