Satyajit Ray Quotes
When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.
Quotes to Explore
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Actors are greedy. They can never be satisfied. I want praise as well as box office returns.
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I do two cups of coffee with a little bit of raw sugar and soy creamer, and then I do a bowl of plain oatmeal with walnuts and blueberries. Now, if I could do what I really wanted to do with my life, every morning I would have a salami-and-cheese omelet with hash browns and a buttermilk biscuit - and pancakes. But my heart would explode.
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I know the cadence of the language and the voice of Atlanta because I've lived here for so long.
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My plan is just to love harder than I've ever loved before, hide nothing, and embrace that I'm an imperfect human being. Oh, and sadness - sadness is everything.
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A lot of what gets on the radio isn't saying anything other than somebody wants to be famous and will do whatever they're told to get it.
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I was a temp secretary for a long time, and I went at it with a passion, and I tried to do a nice job in all my jobs.
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I don't like to take a lot of stuff since I'm really sensitive to medications.
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It is faith that drives us to build, a belief that we cannot be limited by lack of nerve or airspace.
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Stopping to think is fine for characters, but not for their creators. They have to work.
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While we look to the dramatist to give romance to realism, we ask of the actor to give realism to romance.
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We must overcome the notion that we must be regular... it robs you of the chance to be extraordinary and leads you to the mediocre.
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I would love to spend a year living in New York; I've wanted to do that since I was 18. I'll be really disappointed if I'm 50 and haven't done something like that.
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I came to poetry through the urgent need to denounce injustice, exploitation, humiliation. I know that's not enough to change the world. But to remain silent would have been a kind of intolerable complicity.
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My challenge is to find a beautiful balance: to make women beautiful, to make a woman dream to wear a beautiful outfit.
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I'm often stunned when I come up over Mulholland, and I'm looking down at the Valley, and I can see for thirty miles; I can see the mountains, or all the way to the ocean.
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When I was a child and came with my elders to Galway for their salmon fishing in the river that rushes past the gaol, I used to look with awe at the window where men were hung, and the dark, closed gate.
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Du fond de l'ombre où nous sommes et où vous êtes, vous ne voyez pas beaucoup plus distinctement que nous les radieuses et lointaines portes de l'éden. Seulement les prêtres se trompent. Ces portes saintes ne sont pas derrière nous, mais devant nous.
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What a wonderful thing is to be able to contribute to the restoration of someone's health. It's not only a feeling that I'm worth something, but that I have something to contribute.
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It is clear that the causal nexus is not a nexus at all.
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Engineering is a creative practice.
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I will not compromise on language or content. At 15, people can handle the same language as me, they're just as complicated as me and are very interested in thinking about important questions for the first time.
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I've done all of them except for Oprah. My shoes were on Oprah but they ran out of time so I wasn't on. I left my shoes in Chicago so they could put them on the show.
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When I'm shooting on location, you get ideas on the spot - new angles. You make not major changes but important modifications, that you can't do on a set. I do that because you have to be economical.
