Sean William Scott Quotes
Quotes to Explore
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When your co-stars are 9-month-old babies, you fall in love. You start thinking, When am I going to have my own?
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You start to become successful, and everybody starts to drive your money train to the bank, and they're not thinking anymore about what you want as an artist or if any of that even matters to you. It genuinely upsets people in my life that I don't care about money, and that's not my problem.
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My father died in France, and my sisters and I went over with my mum to bring back his body. I remember going to the funeral parlour in France and being given a laminated menu of coffins, and thinking, surely there is an ice cream at the back of here!
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The nice thing about writing at home is that it's almost as though I'm doing it already. I get out of bed thinking of my work, and I don't have to go anywhere to do it.
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A man's brain has a more difficult time shifting from thinking to feeling than a women's brain does.
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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I don't want to take fame for granted because that is when you start to think you are better than everyone else. That is when you start thinking that you are someone that you are not.
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I do feel fortunate to have some knowledge of the great Latin American writers, including some that are probably not that well known in English. I'm thinking of Jose Maria Arguedas, whom I read when I was living in Lima, and who really impacted the way I viewed my country.
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I'm having this conversation with you now. I'm talking, but I'm thinking, feeling, smelling, and moving. Yet I'm concentrating on what you're saying. So that means there's more things going on in the body than just the present thing that the person's got you doing.
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I don't want to die thinking I've only done one thing in my life.
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Terrorists are people, too - they are given to error. Naipaul and then DeLillo do a good job in their novels of drawing this out: I'm thinking of DeLillo's contention in 'Mao II' that terrorists have replaced writers as the people who 'alter the inner-life of the culture.' I thought that was marvellous!
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I'm used to American actors who have a movie career thinking television acting is beneath them.
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The kind of national goal we ought to be thinking about is way beyond national product - it is how do we as a nation help our children be the best kinds of people they could possibly be?
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With mania, is it dangerous to ride that euphoric feeling. You feel very animated and creative; I would fill journals with drawings. It feels good and you want it to last, but it can lead to being delusional. The delusions can be as real as you thinking you can fly.
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I grew up in a family where many of our close friends were gay couples. As well as that, every man goes through a period of thinking they're attracted to another guy.
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When my editor sent me the first two images of Joker's daughter, I was struck by how confident she looked despite her boney appearance and horribly scarred face. So I starting thinking, how did Duela gain such confidence in a world that prizes beauty?
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I started 'Society's Child' on a bus in East Orange as I was going home from school. I saw a black and white couple sitting there and started thinking about it.
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I grew up in a household that revered building businesses. It wasn't thinking about leadership; it was more about building something. To build something, you ultimately have to lead.
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Two things I'm obsessed with are the countryside and fields and being in the open space and body parts, so you'll hear me mentioning body parts and human anatomy. I've listened to my songs and I think I am quite visual and I talk about bones and flesh a lot.
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A political consultant, when we first started thinking about Senate race, said, "You can have one funny name. You can be 'Barack Smith.' Or you can be 'Joe Obama.' But 'Barack Obama' - that's not gonna work."
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I think that we had a different view of what the 21st century could be like, with much more of a sense, from our perspective, of trying to have an interdependent world: looking at solving regional conflicts, having strength in alliances, operating within some kind of a sense that we were part of the international community and not outside of it.
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Theatrical times are different from concert times, to put it simply. Taking a figure like [Mahatma] Gandhi and setting him on a stage requires thinking about what theater is about and what the whole experience is about and what we're trying to communicate in that way, so you get into certain less abstract considerations.
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To do a sequel is so weird, you don't really think about it.
