Sergio Leone Quotes
Quotes to Explore
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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Being body positive is really important to your overall happiness. It's hard to see someone with a 'perfect' body and be like, 'Why can't I be like her?' But that person was born to be who she is, and you're born to be who you are.
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Together, often by unanimous vote, the council has worked quickly to get positive results.
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If you're filming somebody doing something they really want to do, you're probably not very high on their list of problems to deal with. You see James Carville on the phone - he's like that whether you have a camera or not. He isn't doing it just for you, and that's hard to explain.
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Helping people boost themselves out of poverty is the best way to make a lasting positive difference in a person's life.
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In my work in Haiti, I've seen the hugely positive effects that happen when people come together to build something in the middle of the most desperate situations.
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You are always, always overwhelmed by positive response because you know it can go either way.
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My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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Of course, a positive growth rate might be taken as evidence that a population is below its optimum.
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I'm just not somebody who can sit around doing nothing, and all of us in the Foo Fighters have our own things outside of the band. I'm not going to use the cliche that those outlets bring us back fresh and with new ideas, but what I will say is that it keeps us all feeling free - and that creative freedom is a very positive thing.
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I found that being with happy positive people annoys me.
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Positive social emotions like compassion and empathy are generally good for us, and we want to encourage them. But do we know how to most reliably raise children to care about the suffering of other people? I'm not sure we do.
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The world just does not fit conveniently into the format of a 35mm camera.
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You shall always find what you created in your mind, for instance, a benevolent God or an evil Devil. Between them are countless facets. Therefore, concentrate on the depth of your consciousness and on what you consider to be positive and good.
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
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There is no reason for me to show my collection in New York, because it's not about craft and technique there.
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I just believe in the goodwill of people, the power of people to do something positive.
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People resisted having weapons on airplanes, but I oversaw the federal air marshals. It's a deterrent. No one sees that weapon, but they are protected on that airplane, and it's a huge positive impact on safety.
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Right now people seem to be very tentative about the positive benefits of capitalism.
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Rather the pain of discipline than the pain of regret.
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I consciously did away with fade-ins and replaced them with the cut. Henceforth, I never used such editing techniques again. In fact, neither dissolve, fade-in nor fade-out can be regarded as 'the grammar of film,' they are no more than characteristics of the camera.
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It's very easy with the camera to show the positive side of something.
