Seth Godin Quotes
Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.
Quotes to Explore
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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You have to recognize at some point that even though you have the passion and creative level to be able to do something, you might have to do a lot of prep. Sometimes you just can't do it as quickly as you want to do it.
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To me, a critic is some loser who has no idea... someone with an opinion. We all have opinions. No offense, but what makes them dictate what is cool and what is not.
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The three great problems of this century; the degradation of man in the proletariat, the subjection of women through hunger, the atrophy of the child by darkness.
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The French complain of everything, and always.
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I don't see myself as a diva at all.
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I love the science-fiction genre because there's always so many endless possibilities! It's a limitless genre and can be fun playing around with otherworldly ideas.
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Acting was something I had to do.
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Your subconscious's goal is to recreate unresolved childhood issues and then hopefully mend them.
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Any commodity that sees its price going higher will see new mines opening up. When the supply increases, the prices soften. When prices fall, some mines with higher production costs will shut down as they become unviable.
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If I sit down to write a young-adult novel, then I'm going to write either to the punch-pulling expectation of what I can't do, or I'm going to go the other way and think about what can I sneak in to be 'down with the kids' - which would be excruciating.
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I am a Brazilian before I am an architect. I cannot separate the two.
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I'm a sponge when it comes to stories. I'd say everything influences me in some way, but for 'Red Queen' in particular, I was really affected by the 'A Song of Ice and Fire' series by George R. R. Martin.
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I don't think that our European Union membership precludes us from building an illiberal new state based on national foundations.
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When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
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Let the novelists fret about consistency - story writers should feel free to jam; to get things right in new, surprising ways by allowing themselves, now and then, to get things wrong.
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What people don't realize is that professionals are sensational because of the fundamentals. The sensationalism has taken over the professionalism.
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It was great to be the rock comic, the shock comic. But after you've played Giants Stadium with Bon Jovi in front of 82,000 people, after you've done the 'Wild Thing' video with Jessica Hahn and every rock band from hell, you're not gonna top that.
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Sophocles was a general: a warrior writing plays about military situations.
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When I just write something, it's usually because I love it, I love the material, but I feel like I really need a creative partner to crack it. And I certainly need and have a lot of creative partners as a director.
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I that in heill wes and gladnes Am trublit now with gret seiknes And feblit with infermite: Timor Mortis conturbat me.* * Fear of Death troubles me.
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I remember being in tears at the hospital after Chloe was born, at the thought that someday she would have to leave home.
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Here's the truth you have to wrestle with: the reason that art (writing, engaging, leading, all of it) is valuable is precisely why I can't tell you how to do it. If there were a map, there'd be no art, because art is the act of navigating without a map. Don't you hate that? I love that there's no map.
