Carly Schroeder Quotes
Quotes to Explore
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'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
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The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
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I get up late, have an espresso, and immediately start work. I try to get roughly caught up on email before I leave the house, then if I need to write anything or review a complex deal, I do that, and then I head to the office and work on my top few priorities for the day. I try to schedule my meetings in the afternoon.
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We continue to blame the poor for their own condition. They are lazy. We do not want to know that the poorest of the poor are toddlers under three years of age.
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If you're going to sell stock and somebody wants to buy it at a price and that price is not a price you dictate, but demand dictates, sell it to them now.
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A Pike, in the California dialect, is a native of Missouri, Arkansas, Northern Texas, or Southern Illinois. The first emigrants that came over the plains were from Pike County, Missouri; but as the phrase, 'a Pike County man,' was altogether too long for this short life of ours, it was soon abbreviated into 'a Pike.'
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I've lived in New York for 40 years. I came right after college.
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I have a great office.
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There was a long time where I was an 'artist' in quotes, who had no money. But I guess back then I also never had a girlfriend.
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I like excess. And giant M&M's.
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Working with Disney is really and truly like working with a family. Everyone is so supportive and so wonderful. I've worked with Disney since I was twelve, and they've given me so many opportunities that I'll forever be grateful for.
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Possessions. The very word is potent - suggestive as it is of ownership both material and erotic. To possess. Possession. Possessed.
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I think we have to keep working enormously hard to see that every single Indigenous child - every Australian child - has true equality of opportunity. We've got to work harder at it. I think, you know, the heartland issue for us is the gap; the gap in life expectancy in this country.
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However, if the religions in essence merely repeat statements from the United Nations Human Rights Declaration, such a Declaration becomes superfluous; an ethic is more than rights.
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It is easy to talk on religion, but difficult to practice it.
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My operas and my theatre works are very formal pieces.
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I try to understand people who aren't as smart as me and not be hateful.
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I grew up in a very Catholic family. Up until puberty, I would go to a Catholic church every week.
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I don't do drugs. I never have taken any drugs. I don't believe in them.
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Cities have become places where we are controlled, by CCTV and other means, in the same way as machines are controlled. My works provide an imaginative space in which this can be challenged. It's like opening a window in a closed room.
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You can never really pay back. You can only pay forward.
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I think it's really important to give back and show other people that you care.
