Malcolm Cowley Quotes
Writing offers fairly large rewards to a few successful people, but the rewards come late, and most writers are failures.
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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I've been writing a lot of poetry recently. It helps me think and work things out.
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I've got plenty of quirks. I go to an office early in the morning. Early in the morning is really good writing time. I take anywhere between six to eight showers a day. I'm not exaggerating. I'm not a germaphobe: it's all about a fresh start.
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We're more interested in someone writing a really great answer that's going to be read by thousands or tens of thousands of people over the next few years as it stays on Quora and as it gets distributed on the Internet.
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I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
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I love writing songs.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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If I weren't a performer, I would be still be writing and songwriting. Plus, I also really want to get into producing.
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It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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From 1999 on - until 2003 - I covered publishing in a weekly column for Wired.com and wrote for several other publications - altogether writing over 150 articles.
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When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
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I love the whole process for each new album. The writing, the touring, everything. For me, it never gets old.
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When I graduated high school, I bought a guitar and, at first, didn't really think I'd get into the songwriting thing as much as I did. But after learning a few songs of other people's to play on the guitar, I got bored with that and just started writing songs on my own, and that's kinda how it came about.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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I did a lot of my writing as though I was an academic, doing some piece of research as perfectly as possible.
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I have four shelves covered with journals that I've written. Dad and I are writing songs together. I've probably written 100 songs.
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His eldest sister (who modestly prefers to be identified here as a Tuckahoe homemaker) has asked me to describe him as looking like 'the blue-eyed Jewish-Irish Mohican scout who died in your arms at the roulette table at Monte Carlo.
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I'm always sad to see a relationship not work, but what happens between two people is not my business.
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Writing offers fairly large rewards to a few successful people, but the rewards come late, and most writers are failures.
