Nicole Kidman (Nicole Mary Kidman) Quotes
For me, my storyline in Big Little Lies is very complicated and nuanced. The script was so beautifully written. It was very, very easy to play. ... I think one of the scenes is almost eight minutes.
Quotes to Explore
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They say it is the first step that costs the effort. I do not find it so. I am sure I could write unlimited 'first chapters'. I have indeed written many.
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People are very curious and have written a lot of things about me. Right or not. I never comment on those things, because it's not much of my thing to comment on everything that's written about me.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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When 'Romeo and Juliet' came along, I fell in love with the way that it was written and how innocent and vulnerable it was and how different it was from 'True Grit.' I really liked that.
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I'll always love movies. But there's something I love very much about TV, when you shoot episodes while other episodes are still being written.
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My upbringing made me think that real legitimate music is written, not heard.
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There is no such thing as a moral or an immoral book. Books are well written, or badly written.
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A script is not a piece of literature it's a process.
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In old days books were written by men of letters and read by the public. Nowadays books are written by the public and read by nobody.
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The inspiration to write? Perhaps it's not so much inspiration, as a NEED to write. I get itchy and guilty and dissatisfied when I haven't written for a while. Ideas come to me and need to be written down.
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I write with music. I write scenes in movies that hopefully can earn the use of some songs that are powerful to me.
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Anyone should be very suspicious of a sentence he's written that can't be read aloud easily.
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Great songs aren't written, they're rewritten
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What stands out to me most about Maya Angelou is not what she has done or written or spoken; it's how she lived her life. She moved through the world with unshakable calm, confidence and a fierce grace.
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What is the poem, after it is written? That is the question. Not where it came from or why.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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Books are well written, or badly written. That is all.
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I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.
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I love the songs we've written together [with Ivo Moring] and believe that Rock music is coming back with a vengeance. There are a lot of new and exciting things on the horizon and the next chapter is going to be amazing.
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You can love more than one person in your life, but things will be different. There'll be a different dynamic. Needs and desires change.
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I went through a period of pulling away from everything - acting, people - not sure if I would ever have a voice in this business.
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Writing New People I was thinking a lot about the era that I came of age - the 90's. Brooklyn, in particular, this moment when I lived there. The sense of possibility. I was also trying to find a way to write about Jonestown. I had read about it a lot and I had the sense that the story could really start to drive one over the edge.
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For me, my storyline in Big Little Lies is very complicated and nuanced. The script was so beautifully written. It was very, very easy to play. ... I think one of the scenes is almost eight minutes.
