Stephen Malkmus Quotes
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Well, yeah, I sang to some songs on the radio or in the shower.
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I'm not dying for everyone to hear everything we do. Forty minutes every two years is sensible.
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I'm sort of socially inept, so music is my way to connect to people. It's a means of socializing and having a life. Otherwise I wouldn't bother. I would just make home recordings and play them for myself. And that's not really healthy.
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I didn't really like confessional poetry or things. They seemed sort of dated to me, or just corny.
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If you want to be negative about the whole thing you can say all guitar bands after the Beatles were just a waste of time because the Beatles were the best. I think it's far better to give new records a try.
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Something taken off the page can sound great, I guess. Usually it doesn't. It seems like lately Pitchfork is trying to champion lyric writers more.
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I like visual imagery in my head.
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I think most musicians know if they make the same record twice, even if they say they don't.
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With some songs, I have written narratives or I've tried to carry it through, but generally the things that were more genius, as far as I was concerned, were not that.
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When I was a kid I really liked the guitarist of The Doors Robby Krieger. He plays blues, but he plays a lot of melodic things. He plays scales that are kind of unusual, and some bent notes.
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There's something in life that's cool, it's relatively cheap, and fun, and populist. Even when it's elitist.
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I want to do some different kind of songs, but say I want to do riffs, but I don't come up with any riffs that I really think are great. Then I can't do a riff album. I'm more of a song, melody person.
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I just imagine that every song in and of itself is great, but when you add them all up, it's too much of me maybe.
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As a frontman I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
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You don't realize that when you're young, and you're surprised there's a lot of people at your gig - you just think it's general British-press hype.
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I know the world doesn't need maybe another of a particular type of song - the same thing again - but you can't help yourself. And some people like it, but you kind of know in your heart that it's a lesser version of what you've done before. But maybe it has a good tempo, or it feels fresh, but it's still not.
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Men are men and women are women, but the men are dumber than the women, usually.
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Traditionally, when we lived here in Portland, we have a record player in the living room, and there's lots of stuff playing, all different kinds of music. I don't listen to any of those Internet radio things. I have iTunes on my thing, but I've never bought a single thing on it. Except for "Call Me Maybe," for the kids or whatever. Carly Rae Jepsen.
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Don't go to the same studio twice, or work with the same engineer twice.
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I'm more into describing a scenario and I move around in that scenario.
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We Paverment were definitely unafraid of playing wrong notes and singing wrong things. We could be fearlessly bad!
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If a voice is just too nice, without an edge, it kinda all flows by. You forget it. You don't listen to the lyrics.
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There's no reason to stop. Who knows what's around the bend? To participate, meet new people. It's mostly other musicians and people like you, or anybody I meet who's in this, that keeps me going.
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Most people want to be seen or heard. You want to shine. That's my way of shining.