Steve Jobs Quotes
The important point is to not just follow your passion but something larger than yourself.
Quotes to Explore
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With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've got a face that was meant for a mug shot, and that's what I've been doing for the past thirty years.
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My favorite film is probably the finale - 'Deathly Hallows: Part 2'.
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The idea of a soulmate is beautiful and very romantic to talk about it in a movie or a song, but in reality, I find it scary.
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Indie movies got co-opted by the studio system. The studios insisted that only stars could make movies successful.
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I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.
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When you're young and queer and closeted, you can end up in this place where you regard your straight peers as the enemy.
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What is more important, the reality or the perception? I am perceived to be an important designer. It's enough for me.
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The '90s are really the 'Sex and the City' woman, and I think, right now, the new contemporary woman is the 'Lipstick Jungle' woman.
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Steve Jobs was never going to let Flash on any Apple product again like that after in 1997 - he's got a long memory - they said no and Bill Gates said yes.
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I like to try to make the characters I play be as human as possible.
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I mean, I can get things done if I need to, but I can really be completely irresponsible and procrastinate until the very, very, very bitter end. In fact, sometimes I work better under pressure.
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I remember in high school thinking that I wanted to be a lawyer, and now I realize I saw that movie 'And Justice for All' when I was a kid and thought, 'That's what lawyers do, and I want to get up and yell and scream in the middle of a courtroom.'
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I wasn't a businesswoman, so I didn't know how to build a career.
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I think several generations of my family had novels in the drawer. You know the montage in 'The Royal Tenenbaums' where each character has produced some sort of minor work? It was like having a magician in the household.
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Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
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I think a lot of people don't actually know me. They think, 'She's like this,' or, 'She's like that.' They say I have no emotions - I do, but you couldn't see them then. I had to keep them inside.
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In the end, I was doing night shoots on 'Gilmore Girls' and then wrapping and going straight from 'Gilmore Girls' to 'Roadies.'
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It's often the case that great artists - people like Bruce Springsteen - tend to pick up the subterranean rumblings of profound social change long before the economic statisticians notice them. Changes start long before they become statistics.
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If I wear a suit, as I generally do in the business world, it's supposed to mean I'm retreating from competition with the bunnies. If I wear a very glamorous romantic dress, as I'm very likely to do if I'm going out in the evening, then I'm supposed to be competing with the bunnies.
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I was certainly typecast for a while on television because I was always being cast as the compassionate mother or whatever.
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I came to Mumbai for my internship in advertising in an ad agency. Back then, a senior from my college who was working for Balaji asked whether I wanted to act. I agreed, and I didn't even know when it became my passion and my hobby.
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You still get the movies made. A filmmaker can always scrape up money to do a movie. The passion drives it. And you'll get the money. Money's the easiest thing. But the hardest thing is finding a way for people to see your movie.
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The important point is to not just follow your passion but something larger than yourself.
