Steve Martin Quotes
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
Quotes to Explore
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The first thing my writing ever earned me wasn't an advance on a book; it wasn't a fee for an article or anything like that. It was, in fact, a residency at Hedgebrook Farm.
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It takes me a long time writing books. It takes me about five years to write a book, and when I'm done, the last thing I want to do is to do it again.
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I think you live a fuller life with someone else, you know, you're firing on all cylinders. It can be a nightmare at times, we all know that, but nevertheless in the end I think to have someone else's input on anything - a book, a meal, your children, life, a walk - is fantastic.
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Every book I write, the media just keeps punching me in the face.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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Writing is a solitary journey, so I am always excited to go out on book tour and meet readers one-on-one.
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My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
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If you just keep your head down and just try and do your thing, sometimes magic happens.
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I try to do that in this book without preaching - to try to do as you just said that you really have to defend the First Amendment rights of everybody.
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I'm pretty much an open book.
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I never travel without my sketch book.
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Magic symbolises the subconscious - that part of us that is creative and powerful that we sometimes don't tap into.
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The truly great books are always novels: 'Anna Karenina,' 'The Brothers Karamazov,' 'The Magic Mountain.' Just as with 'Shahnameh,' I browse these books from time to time to remember how a great book works on us or to teach my students at Columbia University.
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I don't perceive an audience at all when I write a book. It's pure self-indulgence.
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The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
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I auditioned for 'Game of Thrones' seven times! Loads of times.
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The power of a book lies in its power to turn a solitary act into a shared vision. As long as we have books, we are not alone.
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Rashness is the faithful, but unhappy parent of misfortune.
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The Polar Express is about faith, and the power of imagination to sustain faith. It's also about the desire to reside in a world where magic can happen, the kind of world we all believed in as children, but one that disappears as we grow older.
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There's no book that absolutely everyone loves.
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I guess life offers you opportunities to live your dream. We just have to accept what comes our way and live those moments completely. You will not get back this time again, so live every moment you get.
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I thought of nothing else but rock 'n' roll; apart from sex and food and money--but that's all the same thing, really.
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I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
