Steven Heighton Quotes
I used to be more of a purist about literature. I thought, 'If it's a really propulsive story, then maybe there's something unliterary about it.'
Quotes to Explore
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Intimate relationships are a gold mine for literature to explore, to understand, to describe.
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We want a story that starts out with an earthquake and works its way up to a climax.
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Secret families are really the bedrock issue of Western literature.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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The idea behind a dish - the delight and the surprise - makes a difference. Great literature surprises and delights, and provokes us. It isn't just 'Here's the facts - boy meets girl, boy loses girl, boy gets girl.' It's how you tell it.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.
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My books are character-driven. They're not driven by the story.
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I'm a big reader, so when I was in 'Pride and Prejudice,' or, like, in Poirots and Marples, those are all books that I loved, and so it was really exciting for me to inhabit characters from literature that I knew and recognized.
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A good story gives you more of a license to be forward and progressive with the music.
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I worked in the story department for years on 'Cars' and 'Toy Story 3.'
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The Grimm collections were never intended for children. Not because kids were excluded, but because the division we make today of children's literature didn't exist then. The idea of protecting children from tales with violence didn't occur until the earlier part of the 19th century.
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Moviewise, I would love to make the story of princess Erendira. She was a 16 year old princess/warrior who led her tribe in war against the Spanish around 1513. She almost defeated them, and the Tarascans were the only tribe the Aztecs couldn't defeat.
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I try to tell a story musically in a song.
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I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
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When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
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It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.
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Literature professes to be important while at the same time considering itself an object of doubt. It confirms itself as it disparages itself. It seeks itself: this is more than it has a right to do, because literature may be one of those things which deserve to be found but not to be sought.
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Every step, whether at high school or at college or at the NFL, I had to climb and crawl and scratch to get there.
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For the economy itself will die if our ecosystems collapse.
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Some people they simply just want to hear you. And others actually have things they want to share and talk with you about. So it's important for me to be as strong as I can when I leave home so I can hold space for all of it.
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The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.
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I used to be more of a purist about literature. I thought, 'If it's a really propulsive story, then maybe there's something unliterary about it.'
