Steven Spielberg Quotes
I've kept the people who've been in my career who I feel are my family. Kathy Kennedy had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.
Quotes to Explore
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Coaching is the great passion of my life, and the job to me has always been an opportunity to work with our student athletes and help them discover what they want.
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While I recognize the necessity for a basis of observed reality... true art lies in a reality that is felt.
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The signs of climate change are visible across the nation, from the drought-stricken fields of Central California to the flooded streets of Michigan. Extreme weather is turning people's lives upside down and costing communities millions of dollars in damaged infrastructure and added health care costs.
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Everybody thinks they deserve something.
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Yes, it's annoying that Hamlet doesn't kill his stepfather ten minutes into the play, but if he did kill his stepfather ten minutes into the play, there wouldn't be a play. He has to be annoying, if you will, and not do what would be the thing to do.
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I feel fortunate that I'm able to play diverse roles. I don't think everybody in Hollywood gets the opportunity to do that.
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The only thing that permits human beings to collaborate with one another in a truly open-ended way is their willingness to have their beliefs modified by new facts. Only openness to evidence and argument will secure a common world for us.
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Individuals can spend their money more wisely, efficiently and more humanely than can government.
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The E.U. has its weaknesses, but it's been pretty good for us, and it's been pretty good for Europe, and it's kept peace.
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Working with Bruno Mars would be really awesome. I'm such a fan of his, and I love that he's a real artist.
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I know people think that a lot of sports stars are a little bit up themselves, but they all have their heroes, too.
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There is nothing, really, that I wouldn't write about, and I do write about a lot of grim things.
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My dad was in the military, yeah. He was in the Air Force, and he was a doctor, so he would go places for six months here, and two years there. And I was home-schooled because I played the violin, and I did a lot of competitions.
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I don't talk about political matters. That's not my department.
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Prestige is the shadow of money and power.
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It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.
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In 1989, I was on Tiananmen Square with the students, living in their makeshift tents and joining their jubilant singing of the Internationale. In the two decades since, each time that I have gone back, visions from those days seem to return with increasing persistence.
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On occasion, I used to give presents to the kings, besides the hire that I gave to to their sons who accompany me; and nevertheless, they seized me with my companions.
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I am flattered that they think that many people would enjoy my work. I don't approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
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I just refuse to date actors. I've done that, and I don't want to do that anymore. It's just the stress of traveling and being away from each other so much.
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I'm very caring with animals. I think patience is a big deal, because animals are always jumping around. I love to take care of people, so I think I'd be a good vet. I always wanted to be a vet when I was little.
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At the moment I am taking a very careful look at some of the work which we have done in the past.
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I broke into comics by working as a press reporter for the industry, for a trade press in comics, and reporting on events and reporting on books and so forth, and I got to know some of the editors at DC Comics in the mid-'80s.
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I've kept the people who've been in my career who I feel are my family. Kathy Kennedy had been with me since 1978. Janusz Kaminsky, my cinematographer, has made every movie with me since Schindler's List. Michael Kahn has cut every movie I've directed since 1976 when we made Close Encounters together. Rick Carter has done more than 15 of my directed films as a production designer.
