Steven Spielberg Quotes
I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
Quotes to Explore
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Stand with anybody that stands right, stand with him while he is right and part with him when he goes wrong.
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It is wonderful to say that your days behind a school desk are over. It's just another phase in your life.
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He's really sort of the devil. He's completely emotionally detached. He has no empathy. You find that in psychopaths. It's about power with Voldemort. It's an aphrodisiac for him. Power makes him feel alive.
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Well all the big companies are really panicked by the internet thing and all that, and sales went down, although sales have gone up again in this country a bit and also the big companies, because they're so big, they need big sales really so they're not really interested.
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I love going back and forth from drama to comedy. I love switching it around and showing people that I can do both.
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I don't know why, but I respond well to tortured characters.
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Of course, I grew up hearing Latin music but, to be honest, aside from my personal circumstances, like most kids I wanted to rebel against what I considered to be such old fashioned fare.
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The system of nature, of which man is a part, tends to be self-balancing, self-adjusting, self-cleansing. Not so with technology.
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If anyone comes to me, I want to lead them to Him.
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You win as a team, you lose as a team, you also do so many things together.
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There is only one cure for gray hair. It was invented by a Frenchman. It is called the guillotine.
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Chief executives, who themselves own few shares of their companies, have no more feeling for the average stockholder than they do for baboons in Africa.
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I came to New York in 1962 and it began to look like I might he able to make a living in 1972.
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In this business, you just never know from day to day. It's one reason I held off getting too involved in entertainment. I like being able to plan, I like to know what I'm going to be doing.
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No news at 4:30 a.m. is good.
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I've never been a big horror genre fan, but I did go see 'Nightmare on Elm Street' in the theaters and I dug it. I thought it was cool.
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Why did I become a writer? Because I grew up in New York City, and there were seven newspapers in New York City, and my family was an inveterate reader of newspapers and I loved holding a paper in my hand. It was something sacred.
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We can't have democracy if we're having to protect you and our users from the government over stuff we've never had a conversation about. We need to know what the parameters are, what kind of surveillance the government is going to do, and how and why.
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I watched a lot of comedy growing up.
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I feel like comedy is where I'm most at ease, but I also have an allergy to silly jokes.
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We don't care if you understand us.
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It seems with progress you gain certain things and you lose certain things. The automobile replaced the horse and buggy but you lost all of that nice manure.
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I was fortunate to work with actors who loved music too. Just seeing what it would do to their manner and their faces was great and it helped give the story a little more soul.
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I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.
