Ada Louise Huxtable Quotes
The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
Quotes to Explore
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Our contribution purely depends on our consciousness and our willingness to support those in need, to show vulnerability and accept the support of others, to share without expecting the credit, to give it our all and allow our hard work to decide the outcome, to understand that control can only be achieved with a shared responsibility.
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In order to fully realise our aspirations, we must create in the masses of the people the sense of sacrifice and responsibility that has been the characteristic of the anarchist movement throughout its historic development in Spain.
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Quality is everyone's responsibility.
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The Marine Corps is some of the best acting training you could have. Having that responsibility for people's lives, suddenly time becomes a really valuable commodity and you want to make the most of it. And for acting, you just have to do the work, just keep doing it.
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If the City Council wants to hold the police accountable, it has the subpoena power and oversight responsibility to do so. They don't have the courage to do it.
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I have the right to interpretation as a dramatist. I research. It's my responsibility to find the research. It's my responsibility to digest it and do the best that I can with it. But at a certain point that responsibility will become an interpretation.
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When you take on something like your footprint on the environment, you have to say, 'Where am I going to draw the circle around my level of responsibility and then where do I assume that others will take responsibility?'
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Wherever you are, be there totally. If you find your here and now intolerable and it makes you unhappy, you have three options: remove yourself from the situation, change it, or accept it totally. If you want to take responsibility for your life, you must choose one of those three options, and you must choose now. Then accept the consequences.
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History repeats itself, first as tragedy, second as farce.
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Female hysteria is a subject I'm very fond of. I always try to bring it in somewhere. For me, it is the finest part of the line between comedy and tragedy.
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Show me a hero and I'll write you a tragedy.
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This election presents a stark choice - we can continue down the road of the Obama Democrats, more and more spending, debt and government control of the economy, or we can return to the founding principles of our nation - free markets, fiscal responsibility and individual liberty.
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We have one authority and one law and everyone has the responsibility to follow that law and that authority.
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People ask me whether I see 'Star Wars' as a comedy or a tragedy, but it's really neither - it's partly a history, like 'Henry V,' and partly a fantasy, like 'The Tempest.'
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I have gone from being a 21-year-old with wide eyes to a 24-year-old woman. With success comes a lot of responsibility and power.
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Formerly government was the responsibility of people; now people were the responsibility of government.
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The responsibility that I feel is to do as good a job as a journalist as I can possibly do.
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The thing the sixties did was to show us the possibilities and the responsibility that we all had. It wasn't the answer. It just gave us a glimpse of the possibility.
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Read. As much as you can. As deeply and widely and nourishingly and irritatingly as you can. And the good things will make you remember them, so you won't need to take notes.
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I'm on a lot of nonprofit boards, but if I didn't enjoy it I wouldn't do it. I haven't yet done anything that's transformational in philanthropy. But I hope at some point to target two or three causes or organizations and really make transformational gifts.
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To do any important work in physics a very good mathematical ability and aptitude are required. Some work in applications can be done without this, but it will not be very inspired. If you must satisfy your "personal curiosity concerning the mysteries of nature" what will happen if these mysteries turn out to be laws expressed in mathematical terms (as they do turn out to be)? You cannot understand the physical world in any deep or satisfying way without using mathematical reasoning with facility.
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The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.
