Ada Louise Huxtable Quotes
Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean. We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed.
Quotes to Explore
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And that will increasingly dawn on people. The demand for controlling the commanding heights will grow.
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Cottonmouth is the result of having to react to his circumstances. He had to, in some ways, take control of the situation and own his circumstances. But as a result of that, he became a person he didn't intend to become.
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It's quite rare that you find models taken care of backstage.
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I was just doing my job in the ring and doing my best to make people happy.
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Until now, I was insecure and I believed what the people around me said in regarding what I should sing.
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What is necessary to change a person is to change his awareness of himself.
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Don't be afraid in nature: one must be bold, at the risk of having been deceived and making mistakes.
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Anytime I'm involved with anything that's well-received, it's a surprise to me.
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I shall always respect the composer. If I embellish, it is his idea I am embellishing.
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My music is best understood by children and animals.
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I think lots of ideas are sometimes in our heads without us quite, you know, knowing it.
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I live in New York. I don't really particularly want to move to LA.
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Another thing that's quite different in writing a book as a practicing newspaperman is that if you look at what you've written the next morning and you think you didn't get it quite right, you can fix it.
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Creme Brulee is the ultimate 'guy' dessert. Make it and he'll follow you anywhere.
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In a way, architecture is about communication. That's an aspect of the discipline that is somewhat lacking, and there's definitely room for more progression into that area. I suppose that gives me a bit of a different edge. I'm also very, very used to doing a lot of exhaustive research and finding interesting information from different sources.
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I don't have a favorite author; I have favorite books. 'Moby Dick' is a favorite book, but Melville was a drunk who beat his wife. 'Moveable Feast' by Hemingway, but I would not like him personally. He was a stupid macho person who believed in shooting animals for fun, but that book was incredible!
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There have been moments in my career when I've had to be tough and I've had to step up to the plate - but usually that's because a man has underestimated me. But other than that, I wouldn't say I'm a tough person.
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I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
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A good party is where you enjoy good people, and they taste even better with Champagne.
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If I do my very best, then the camera and the audience will follow me, and eventually they will somehow feel like I feel. I don't have to show it to them. I don't have to speak it out loud.
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The vast majority of Muslims living here are peaceful citizens. Unfortunately, however, we also see religious and political fanaticism among Muslim groups in Germany.
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Environmental protection doesn't happen in a vacuum. You can't separate the impact on the environment from the impact on our families and communities.
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You can have a lot of New York and still see what's going on in the rest of the world, I think - like in China.
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Until the first blow fell, no one was convinced that Penn Station really would be demolished, or that New York would permit this monumental act of vandalism against one of the largest and finest landmarks of its age of Roman elegance. Any city gets what it admires, will pay for, and, ultimately, deserves. Even when we had Penn Station, we couldn’t afford to keep it clean. We want and deserve tin-can architecture in a tinhorn culture. And we will probably be judged not by the monuments we build but by those we have destroyed.
