Faye Dunaway Quotes
I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.

Quotes to Explore
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The person who knows one thing and does it better than anyone else, even if it only be the art of raising lentils, receives the crown he merits. If he raises all his energy to that end, he is a benefactor of mankind and its rewarded as such.
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Golf was never a religion to me.
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By the way, intelligence to me isn't just being book-smart or having a college degree; it's trusting your gut instincts, being intuitive, thinking outside the box, and sometimes just realizing that things need to change and being smart enough to change it.
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I'm the biggest geek of all. Adventure, fantasy, comic books - I can't get enough.
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The time is right for electric cars - in fact the time is critical.
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I remember doing one of those computer careers tests. It told me I'd make an ideal HGV lorry driver because I've got 100 per cent spatial awareness. I'd be able to back them into tight parking spots.
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I don't want to kill windowing; I want to restore choice and options.
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But as long as you're creating the art you want to create, if people start liking you, you shouldn't have to apologize. You want your stuff to be heard by as many people as possible.
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You would never see me driving around in a sports car. I feel like you're so low and squish-able by transport trucks.
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I'm not as tech savvy as some YouTubers, but I'm a lot better than my grandparents. Whenever I have a technical question, or something isn't working, I ask Google, and that usually throws up the answer.
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The tragedy of the civil rights movement is that just as it achieved the beginning of the end of racial segregation, white educated elites became swept up in the glamour of the sexual revolution.
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The more of what our music does violates the premise of its format that it's presented in, the better. So, hearing our music in the supermarket, a Muzak version, is great.
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I just always wanted to be left alone to go into a creative space.
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The motivation is important for me to act it, but I don't necessarily want the audience to know my motivation.
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The whole fame question is one that is constantly intriguing to me. I think that fame is something that other people create about you. Whether you jump into that or not is up to you – and whether you have the talents for jumping into it or not.
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I'm worried about the future of America insofar as our academically most promising students are being funneled through the cookie-cutter Ivy League and other elite schools and emerging with this callow anti-American, anti-military cast to their thinking.
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Planning a dinner party in a way that you're actually capable of getting it done without panicking is important. It's bad hospitality for the host to be freaked out.
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I can't even read notes. But I can teach someone how to make a guitar smoke.
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Not by way of the forced and worn formula of Romaticism, but throught the closeness of an imagination that has never broken kinship with nature. Art must accept such gifts, and revaluate the giver.
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We all want to be special, to stand out; there's nothing wrong with this. The irony is that every human being is special to start with, because we're unique to start with. But we then go through some sort of boot camp from the age of zero to about 18 where we learn everything we can about how not to be unique.
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The works have to look like they're confident. But they also have to look sort of troubled. It's this weird thing: "Does that look confident and troubled?" It's a bit like difficult poetry.
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We are not going back to the failed policies of the past. We are fighting for the middle class!
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That she saw through this ploy did not prevent it from working perfectly.
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.