Man Ray Quotes
I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive.
Quotes to Explore
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Alan Rickman's Hans Gruber is the greatest bad guy in a movie ever.
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I do all of my good thinking at over 65 miles per hour. The speed limit is, luckily, the same speed as my brainstorming speed.
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It's a funny thing about rap, that when you say 'I' into the microphone, it's like a public confession. It's very strange.
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I love Coco de Mer.
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With the dreary season in which we travelled part of the route; with our minds much more actively employed in forming resources for our preservation from famine.
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I'm super lucky because I come home and I don't have to run errands and clean the house and do all that.
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The one thing I do know is that I'm the best Taylor Hawkins drummer there is, and that is all I can hope to be. And when it comes to music, musicianship and skill, there is no such thing as better or worse because so much is personal opinion, and I can see that now.
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You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.
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I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.
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Robots do not hold on to life. They can't. They have nothing to hold on with - no soul, no instinct. Grass has more will to live than they do.
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People ask me, 'Isn't it scary living on your own?' but in this industry, being at events, doing interviews, and doing promotion and constantly chatting about yourself, sometimes it's really nice to just sit in silence or take a day where you can sleep in until 3 P.M. and then stay up as late as you like.
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I'm an Indian-origin painter. I will remain so to my last breath.
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Beware of the naked man who offers you his shirt.
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Let thy step be slow and steady, that thou stumble not.
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The main thing in life is not to be afraid of being human.
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I lost my mother and my brother when I was 15 in two separate car accidents. I was doing well at school. I was a good sportsperson, but at that point, I gave up on all of those things that were there to be done. I couldn't deal with them.
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The two World Wars came in part, like much modern literature and art, because men, whose nature is to tire of everything in turn... tired of common sense and civilization.
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I was interested in what was really going on in Salem at that time, and I resolved to investigate this seemingly unorthodox treatment of the people and the period.
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We're manufacturing to meet the demands of our own people but, in the meantime, for the entire world as well, and that definitely put a lot of extra pressure on our environment.
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I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.
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I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive.
