R. M. Williams Quotes
I was two years old when Dr Aiken drove into the district in his new Renault, the first automobile in the district…
Quotes to Explore
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The thing that I'm most passionate about, I'm writing a book called 'Jab Jab Jab Jab Jab Right Hook,' and it really focuses on how to story-tell in a noisy, ADD world.
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The majority of work I do is in independent films, where you're lucky if you have five takes.
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I love all things Christmas.
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The extent of your consciousness is limited only by your ability to love and to embrace with your love the space around you, and all it contains.
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It is up to God to reveal a religion, but up to us to understand and realise it.
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Policymakers can draw much from 'The Need for Roots': such clear prescriptions as that employers ought to provide an adequate vocational training for their employees, education should be compulsory and publicly funded, and include technical as well as elementary education.
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I get that people want more diversity in TV and film, and I stand by that. I stand in solidarity with better diversity in TV shows, especially for Asian actors. I agree with that 100 per cent.
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I have been a multitude of shapes, Before I assumed a consistent form.
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I just am committed wholeheartedly to theatre with no intermission.
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Sat celeriter fieri, quidquid fiat satis bene.
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I'm not saying M.B.A.s can't be great entrepreneurs. They can. But you don't need a degree to figure out it's costing you $5,000 per month to run your business, so you need $30,000 to keep it going for six more months.
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As long as there's Big Momma, we're going to bring you comedy.
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I am probably the oldest new artist Sony has ever signed.
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You break your neck, you don't know what's going to happen. I mean, it's foreign. You're in this body that you thought you were - that you were accustomed to, and now you're not. You have to figure out everything. I think the biggest thing for me was getting a license, because it gives you - it gives you your independence back.
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A lot of fashion photographers will do the same sort of image for many years; it's easier to be successful if you do that.
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The process was remarkably cathartic. I'd sit and listen to my father's voice - having not heard some of these tapes for 30 years and hearing his voice laying me down for a nap, our giggles and cooking dinner - and I remembered all those wonderful days. Normal days.
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I think my worst enemy was myself. It's like I've been in my own way more than anybody else has been.
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I would be more frightened as a writer if people thought my movies were like science fiction.
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The first job I ever did in the theatre, I was supposed to be a genius piano player. I couldn't play the piano, but you just sit there at a piano like you're playing, and suddenly all this amazing music comes out and the audience believes you can do it. It's the same with computers. I love scenes where there are people yanking at monitors, "yes I'll put you through now," and you know they're just doing that. But you can look brilliant at all this technology. I love it.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
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The most exciting and by far the most important part of our Florida Project - in fact, the heart of everything we'll be doing in Disney World - will be our Experimental Prototype Community Of Tomorrow! We call it EPCOT.
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In a district of ten families, there must be someone as honorable and sincere as I, but none as fond of learning.
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I was two years old when Dr Aiken drove into the district in his new Renault, the first automobile in the district…
