Vicki Lawrence Quotes
Quotes to Explore
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I think comedy has evolved like every art form, and people probably do less standing around and telling jokes, and more things that have to do with reality.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Fame has become this obsession for people, which kind of creeps me out.
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In recording, you're trying to make something work sonically - getting the right inflection on the right guitar sound - and maybe a part that would be musically great doesn't sound as cool.
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I worked with the Neville Brothers for 40-some years on the highway, and up and down since I can remember - funk from New Orleans.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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Somebody once told me I shouldn't try to change Hollywood. That isn't my point at all. I don't want Hollywood to change me.
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I was really a charmer; I was the guy who would get to the office, the principal would sit me down and within 10 minutes, we'd be, like, talking about some movies or something.
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I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
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I have superfine, superoily hair, so my struggle is always trying to get the volume I want. I end up not doing much with it ever.
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I'm not a coach and I know it. I'm too busy and it doesn't pay. I'm expensive. But I would always advise.
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I think happiness is a combination of pleasure, engagement and meaningfulness.
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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Seemed like everything I tried to do in broadcasting and as a player before that turned out successfully. I was succeeding. I got to the top of the heap in every facet of broadcasting.
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People always underestimate me. But if you stick around long enough, act out of conviction, and try to be honorable in everything you do, good things will come to you.
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When we see that our problem is so complicated and so all-encompassing in its intent and content, then we realize that it is no longer a Negro problem, confined only to the American Negro; that it is no longer an American problem, confined only to America, but it is a problem for humanity.
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If we want to talk about freedom, we must mean freedom for others as well as ourselves, and we must mean freedom for everyone inside our frontiers as well as outside.
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And the idea of just wandering off to a cafe with a notebook and writing and seeing where that takes me for awhile is just bliss.
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My profession has helped me to grow up.
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If you are a cabaret artist and you are mostly singing other people's songs, you're asking them to rethink a song, listen to it in a different way. The most impact you can have while asking them to re-listen to a song is if it's a song they know very well.
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A whole film is just about arriving at a moment where you hopefully transfer some feeling to the audience.
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Well, very long ago, on the spot where the Wild Wood waves now, before ever it had planted itself and grown up to what it now is, there was a city - a city of people, you know.
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I am not a photojournalist and certainly not used to the Jason Bourne type stuff that some photographers have to deal with.
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TV's been good to me.
