Virginia Woolf Quotes
Inevitably we look upon society, so kind to you, so harsh to us, as an ill-fitting form that distorts the truth; deforms the mind; fetters the will.
Quotes to Explore
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Poverty breeds lack of self-reliance.
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The United States is a low-trade - low-tariff country.
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Not long after 'The Pacific,' I began shooting the comedy 'Larry Crowne,' which was also with Tom Hanks, who also directed and plays the title character.
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I lived in America for a long time before I started working as an actor. Some actors show up on set and have never done an American accent before, so they rely on a slew of technical mechanisms. Part of what makes an accent is understanding why people speak that way - you have to understand the culture.
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Clothes, thank God I can get them from designers.
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Once every five hundred years or so, a summary statement about poetry comes along that we can't imagine ourselves living without.
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There has to be so many other ways of approaching airline security than demeaning ourselves by giving up a lot of our dignities and our liberty to do this.
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The goal seems to me at times just to be business first.
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If you're on a road trip, you need driving music.
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I'd read things, like people criticizing me. But no one likes to read stuff about that, and probably the main thing that was getting to me was me mum's illness.
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I'm going to be me, regardless of anything.
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When I did 'Alien: Resurrection', a lot of the guys worked on planned production, and one of them was really into comic books and would draw all sorts of characters, and I was impressed with his sketches.
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I want to have a long career.
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You are the only you. That means you don't lose roles to anybody else. There's no competition, so they either want you or they don't want you, and it's not that they wanted someone else over you.
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The entirety of 'Bellocq's Ophelia' was a project, and I was interested in doing research and looking at photographs and writing about them, imagining this woman Ophelia and what her life was like and the kinds of things she thought about.
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Part of the reason I sort of shot out like a cannon out of Michigan and left home at such an early age is because I had to feel independent.
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If I was to keep playing, I had to play in Detroit, and it just wasn't for me anymore.
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Nine months after we submitted the original screenplay for 'The Attack,' the studio that was involved pulled out. I've been told that 'you don't write in a French way; you can't make these multicultural films.'
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I used to comfort myself with the idea of a book with serrated, detachable pages, so that you could read the thing the way it came and then shuffle the pages, like a giant deck of cards, and read the book in an entirely different order. It would be a different book, wouldn't it? It would be one of infinite books.
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We don't have performances as big as 'Lemonade Mouth' on 'Zeke and Luther,' but they're both amazing experiences; just, 'Lemonade Mouth' was a bit bigger. It was different for me.
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I don't think you can ever make enough to be set for life. Well, I guess there are limits. In the billions, I guess.
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I was born in Columbia in 1954, the year the Supreme Court invalidated racial segregation in public schools. I visited frequently but did not live there.
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Inevitably we look upon society, so kind to you, so harsh to us, as an ill-fitting form that distorts the truth; deforms the mind; fetters the will.
