Taiichi Ohno Quotes
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I think that we are all much closer to our childhood selves than we often think, so when we read about childhood, it can surprise us how immediate or moving it is, when perhaps those feelings are just there, waiting to be accessed all the time.
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Because I'm so hands on here at work and always looking at fabrics you have to be mobile and as comfortable as possible.
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When I hit my 20s, I took a chill pill and relaxed because throughout my teens I was churning out an album a year. It was a treadmill of work then recording, promoting and touring.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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My thoughts fly to the old Icelandic storytellers who created our classics, whose personalities were so bound up with the masses that their names, unlike their lives' work, have not been preserved for posterity.
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It is obvious that the monetary union among 17 very different European countries does not work. As an economist, I know that the Eurozone is not an optimum currency area, as defined in economic theory.
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I want to work with producers who are unique and have a different sound.
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Glory is attained from hard work, step by step.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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I think one challenge is that having few women in your work environment makes you feel a little isolated and alone. I'm an extrovert; I like talking to people, and I make friends easily, but if your personality is somewhat different, I think you would struggle to connect with people.
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I definitely had a hard time leaving for college because I'm not much of a risk-taker.
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I avoid talking about the way I work. But in avoiding it I seem only to have encouraged people to focus their fantasies about me in an ever more fantastical way.
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Frankly, one of the problems we have in the country is we're not forming enough families. And that is hurting our economic work, and it's hurting our economic projections, because the best place for a child is within a strong family unit.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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I find it's really hard for anybody to meet anyone. I'm not big on dates anyways. I still have to work that out.
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In L.A., it's easy to get wrapped up in this young Hollywood mess. You feel like you have to go out every night. You have to realize that you're here to work. I didn't move out here to party all the time.
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My short game's not that good. It just becomes a matter of getting that weight moving.
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I could never work in that kind of commercial environment where the stars have a lot to say, where the producers kind of push you around and tell you who to cast and who not to cast. I'm just not interested in that at all.
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I wasn't born a fool. It took work to get this way.
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Evil changes everybody!
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I have always gone about this business on the basis that one cannot have a partnership unless there is equity among partners. Equity, of course, is historically a British concept, but I think that it is one that we bring to the European Community.
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Usually, you see this play as a guy who can't make up his mind, but our version is more of a revenge thriller than a man who is pontificating what he should do next. I've never seen a 'Hamlet' this big, this exciting, with this many cast members; it's quite a spectacle.
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My first move as the manager of the machine shop was to introduce standardized work.
