J. G. Holland Quotes
Quotes to Explore
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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I put it to you that there are no British poets, there are no British novelists. I have heard myself described as one, but I think really I'm an English novelist; there are Scottish poets and Scottish novelists.
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In combat sports, personalities are what draw.
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I think if you talk to my colleagues, I was less than a fearsome individual.
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The society Shakespeare knew was heading for tremendous change, and he seems to have recognized that and written about it in a coded way. I understand those codes, I think.
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Most filmmaking is about shaking hands and just starting.
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Most people who have encountered mercury have done so after breaking a mercury thermometer. And many of us who saw the liquid balls of mercury scatter across a floor or countertop considered the element the most beautiful on the periodic table.
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I can only think of music as something inherent in every human being - a birthright. Music coordinates mind, body and spirit.
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I grew up in a mostly Buddhist environment.
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I want to be a mayor who helped, really helped.
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I remember being told very early on, 'Just say what they want to hear in the audition, and we'll figure it out later on.' So there have been a few tricky moments. I once said I could ride, when the truth is I'm terrified of horses, but I got the job!
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Babies choose to lackadaisically notice the quirkiest of details - unlike us grown ups, who choose instead to focus on what we believe is most essential to us. As a result, babies have a greater expanded consciousness than us grown-ups!
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It's funny, because I have periods where I just kind of go dark. I don't tweet, I don't talk, I don't interview, and then I have times where I do.
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For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.
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The opportunity, number one, to work with Ang Lee is an amazing thing for me.
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I'm like a packrat with work. I hoard my jobs.
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What you wear onstage is a reflection of your artistry.
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It's my approach as a filmmaker always to go in, not with a thesis or preconceived notion, but with curiosity and questions and inquiry. So in some way, I'm always surprised. I'm always finding paths of engagement.
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Flattery and insults raise the same question: What do you want?
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I hate myself in interviews. All of a sudden, you stop and you're like, 'Chris, how dare you?' I don't live in Darfur. I have both legs. But you can't walk around all the time being like, 'I'm so grateful I'm not in Darfur.'
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One of the primary motivations for the series is that I never really felt that I was a person who could explain verbally what I thought all that well.
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On a scale of 1 to 10, I was a 12.
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Darwin and his successors taught us how our biosphere evolved, and thereby transformed our conception of humanity's place in nature. In the twenty-first century, space scientists are setting Darwin in a grander cosmic context - probing the origins of Earth, stars, atoms and the universe itself.
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Of all the scamps society knows, the traditional good fellow is the most despicable.
