Michael Ovitz Quotes
Quotes to Explore
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I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
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If I asked for a cup of coffee, someone would search for the double meaning.
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The only way to support a revolution is to make your own.
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There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
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It's unfortunate biologically we have to sleep.
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'The Art Student's War' is, at its core, a traditional American wartime love story. As such, it is timely and engrossing. By the end, all its principal characters 'have been to Hell and back.'
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I come from Surajpur, a valley in Himachal Pradesh near Manali that is named after my great grandfather Sarju Singh Ranaut.
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The world is a beautiful book, but of little use to him who cannot read it.
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It is better to be young in your failures than old in your successes.
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I love musicals; I love the ballet, opera, the circus. It's all performance to me.
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You will be better advised to watch what we do instead of what we say.
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The poor are discussed as this homogeneous mash, like porridge. The idea that they might be individuals, and be where they are for very different, diverse reasons, again seems to escape some people.
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I have said publicly no option should be off the table, but I would certainly take nuclear weapons off the table.
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Just think about the game. Think about playing great, having a great time. Helping my team win.
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I want to know who is spending $1,000 on a sweater! That makes no sense!
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I was the female lead in a romantic comedy. It's a little indie film that we shot in China called 'America Town,' starring Daniel Henney and Bill Paxton. I actually had to speak Chinese in the film. It was funny because I found out I was doing the film and then a week later, I was in Shanghai.
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In some ways, in 'The Queen of the Night,' I'm writing about some of the experience that I had with 'Edinburgh' where I was entirely unable to speak about what had happened to me as a child, but I could read from the novel.
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I get along fine with the press.
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We can list a bunch of actors who have embodied characters that aren't their nationalities, and I think that's the beauty of acting.
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Is it possible that the portrait of the divine Son of God is an exaggeration, at best, or a complete fabrication, at worst, of the original Jesus?
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As actors, we're always asked to portray and react to these extreme circumstances, otherwise it's not interesting. They are agonizing things to think about.
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Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
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The unknown is always interesting.
