Michael Spiller Quotes
If the setups take too long, you wind up losing momentum. Momentum is very good for comedy. Not having to do eight setups in a single scene and have it take five hours is very good for comedy.
Quotes to Explore
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I'm a comedian who happens to be Latino. What's the difference? The difference is, my special will air on Comedy Central, not Telemundo.
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My comedy doesn't come from any calculations and studies.
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There's nothing worse than people who want to make you feel better when you are losing. I just want to smack them.
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I think if you're trying to be funny, sometimes you're bending a piece of metal in a direction it doesn't want to go. And sometimes comedy just needs to find itself.
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I've always just been attracted to comedy.
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Comedy has become, I think, a very important branch of public intellectualism. But it still ain't Washington.
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My dream is not Hollywood, but to perform my act in English to 30 people in a Soho comedy club, to show New Yorkers what they look like from the French point of view.
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I think that in any role you have, whether TV or film, it's hard to do comedy and drama within one story.
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When I started losing business to salespeople who were using used-car salesmen kind of tactics, I realized I can't ignore the EQ thing; it's going to kill sales.
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I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
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I first started as an actor, but there was no money in it, which is why I drifted into comedy.
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Dan Curry is the funniest guy in the world. I can sit in a room with him for hours, and he's just cracking me up constantly. And Kitao is the next Terry Gilliam. A lot of comedy directors are just comedic writers, but they don't have any sense of aesthetic or visual vocabulary.
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If you want good sketches, go pick up Sid Caesar. The best of Your Show of Shows. That's the greatest sketch comedy you'll ever see on television.
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When I'm driving past the place I used to work, or when I'm driving past the comedy studio where I used to take photos in exchange for classes, or when I'm driving past the yoga studio I used to clean on the weekends - it's not that far removed from me yet. I get very sentimental over things like that.
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I mean comedy is something that's very personal and people have strong opinions about.
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My younger sister's a comedian. She has a sketch comedy group in Chicago called Schadenfreude and I look at her with such admiration and envy because it's such an amazing thing to make someone laugh.
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I love doing drama as much as I love doing comedy.
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About half the scripts sent to me feature characters I just can't identify with, particularly one-dimensional businessmen or, if it's a comedy, some absurd 10-year-old Japanese stereotype, some role related to IT or business... There's no point in getting mad about it; it's just the way things are.
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I feel like my comedy voice is to take the news and everything that's happening and put a funny spin on it or to pick out the things I find funny about it.
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Comedy is so hard to do, so it was very cool to do dead pan humor.
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I always knew I wanted to do comedy. I like making people laugh.
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This is an extremely good result. I am delighted to have polled well above predictions. I go into the next round with real momentum.
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I'm born and raised Long Island. Billy Joel, Paul Simon, Ben Gibbard - melody-driven guys... They shaped me, molded my music.
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If the setups take too long, you wind up losing momentum. Momentum is very good for comedy. Not having to do eight setups in a single scene and have it take five hours is very good for comedy.
