Nan Kempner Quotes
Quotes to Explore
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I still study dance, and it's definitely something I want to incorporate in the future. It's always been my first love.
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With a 3D printer, you could build your own car, one part at a time. When you were finished, you'd have an automobile that is extremely lightweight because it is made of plastic, which is good because you'd need to carry it because it is made of plastic.
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It's true that I run a multi-national group but I have no interests in India. So please tell me, what should my identity be?
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There's a critic that I love, Manohla Dargis of the 'L.A. Weekly.' I like the underground point of view; it's my old radical sympathies. Maybe I like her because she likes my movies.
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Our conscience is not the vessel of eternal verities. It grows with our social life, and a new social condition means a radical change in conscience.
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With film, I have to be a team player; it's a whole different thing. I can't just be a one-man show. I have to learn how to use people to the best of their ability and motivate them to be as passionate about the project as I am.
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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For me, seeing the target and not seeing the target doesn't make any difference.
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As I grow older I spend more time with my wife, and gradually my interest in the woman's world is growing.
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We have to reappropriate the concept of laicite (secularism) so we can explain to our young pupils that whatever their faith, they belong to this idea, and they're not excluded. Secularism is not something against them; it protects them.
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I believe in miracles. At the age of 13, I was on holiday in Moscow with my mother. It was the only trip I took in my whole childhood. We stepped off a metro train and were approached by a talent scout who told me that she wanted to sign me to her modeling agency.
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In high school and college, I did not have any Christian friends except my best friend Sarah, who I actually 'brought to Jesus.'
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In any work you do, you can be profound one minute, and then you be superficial the next, and you can be smart and insightful and then insipid. There can be room for all that.
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The love story for me was the nature of the love and not the age of the lovers.
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We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.
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I've been very clear. I won. I didn't commit the crime.
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In all fields of creativity you see the result of work that has become habit. Where the creative impulse has become flaccid or has died out altogether, and yet because it is our work and our life we continue to do it.
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I believe in books that do not go to a ready-made public. I'm looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death.
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A lot of times I watch sporting events, and there are things I want to say and things I see that don't get said or talked about.
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There's nothin like a trail of blood to find your way back home.
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I always start with emotion. That's where I start all of my improvisations, on the piano. I always start with the mood or the feel of where I am in that moment.
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When I grew older and went my own way, MMA kind of stuck with me. I got to the point where I wanted to make something of it. I always thought fighting was fun, so I joined a gym and took it serious. I never actually thought I would be a real fighter, though. But I began to excel on the local circuit and I did well for myself.
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I spend way more than I should...and way less than I want.
