Sue Grafton Quotes
Quotes to Explore
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I'm not a video brat. I don't derive all my inspiration through movies. I get it from a lot of other places, too.
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Immortality is really desirable, I guess. In terms of images, anyway.
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A lot of times, when mother-son or mother-daughter relationships have been put on screen, they tend to trickle towards ugly, and I don't find that totally realistic for the wide swath of us, and it's also not that fun to watch.
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Unlike the Marxists, I have no mind block against the U.S.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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The Arab states don't seem to do a good job of providing for their own people, so I am not sure why they would suddenly develop an ability to help the Palestinians.
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I've always had great faith in the Man Upstairs.
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I auditioned in Chicago for Juilliard and didn't get in. I was basically living in a back room of my parents' house, paying rent and not doing anything with my life. I'd like to say it was patriotic to join the Marines, but it was also that I was doing nothing honorable with my life and spending too much time at McDonald's.
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We are not a country that subscribes to policing any part of the world. The areas we are comfortable with are capacity building, intelligence sharing, exchange of ships, call on each other's ports, joint training and exercises.
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Part of what's so tricky in a film that's two hours long is how many themes can you effectively explore.
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It's frightening how easy it is to commit murder in America. Just a drink too much. I can see myself doing it. In England, one feels all the social restraints holding one back. But here, anything can happen.
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I'm not quite as cool as I would like to be, really.
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The minute I understand a man, he is no longer exciting and a challenge to me. And the last thing in the world I want is for a man to understand me and know what's always going on inside my head. It takes away from all my mystery, which, as I've told you before, is the most important thing between a man and a woman.
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I'm as pure as the driven slush.
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I used to work for a catering company - I waitressed for Harry Winston events. I remember being so hungry, I would eat when I was supposed to be catering to other people.
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Even as a kid, I never liked breakfast. I just don't like to eat then. I like to get up and work. I think sticking a whole bunch of carbohydrates in your stomach in the morning is probably the worst way to begin the day.
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Sleeping is forbidden at the age of 22. It's all work and no play.
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A period of time is as much an organising principle for a work of fiction as a sense of place. You can do geography, as Faulkner did, or you can dwell on a particular period. It provides the same framework.
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I did a film called 'Black Dynamite' that was very, very funny. That seems to be a film that's kind of a cult classic.
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Most quarrels amplify a misunderstanding.
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Experiment is the sole judge of the validity of any idea.
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Looking back, I don't feel that I was the most brilliant mother. I was always very good at giving my children the right food, but it was one of my regrets in life that I didn't spend more time listening to them or playing with them.
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I'm mystified by the stuff that doesn't work. I'm mystified by what's going on in the critical side, too. Stuff I like is getting trashed and stuff that is being praised I think is terrible. I don't really feel in sync with what's happening, but at the same time, what I think keeps me afloat is that I try not to be, and don't want to be, very indulgent. I try to make the films as lean as possible, and to not spend a lot of time crawling up my own ass creatively.
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Give yourself time to get better.
