Suzan DelBene (Suzan Kay Oliver DelBene) Quotes
Quotes to Explore
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I think I was lucky I got into art college. That's what saved me.
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Even if you live in a big city, everybody lives in a small town. We identify ourselves by our neighborhoods - 'I live in the Village, or in Chelsea.'
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I was just a kid, but I was a rotten kid.
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Imperialism was genuinely popular among Athenians who would expect to share in its profits, even if only indirectly and collectively, and not to have to bear its burdens.
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I am always locked in my design studio.
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Watch your finances like a hawk.
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I think that people need an adrenalin rush. Folks need something aspirational; they need to do something that is hard. That's what ignites the imagination.
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Over the years, humans have managed to incorporate nearly every element, light and weighty, common and obscure, into our daily lives. And given how small atoms are and how many of them there are all around us, it's almost certain that your body has at least brushed against an atom of every single natural element on the periodic table.
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If you're expecting an intellectual film, then you will be disappointed.
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I stay true because whatever the project is, I'm still looking for inside of that character. It's the thing that connects him to me and to everybody else. So, the search is the same. It's to unveil the truth, and that's how I stay true, because my purpose isn't altered.
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If there's a will, prosperity can't be far behind.
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The results showed that Joe Mokoena and I had made history. For the first time in the history of education in South Africa, two African students had passed the JC with a First Class degree, regarded as a rare achievement for any student.
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That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
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Generally my songs are just some riffs slung together as an excuse for a guitar solo.
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I think all these pop cultural media often reflect conversations we're having in the real world at that moment in time. I think one of the big conversations we're having as a culture is we thought we'd solved sexism and racism, and we're realizing more and more that we haven't.
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People talk about method actors, meaning someone that's prepared very, very well, or whatever they mean when they talk about it. But the right method is whatever works for you. And what works for me on any given day is going to be different.
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I have made that one of my policies never to play anything that I've already put on record.
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Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them.
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Getting hit on by both genders is such a champagne problem.
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No one is more keen than me to see the Hunting Act repealed, because I believe in the management of wildlife.
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When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
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We are in the entertainment business and we all know if you are top of the tree you get the big money. Those of us who have been in it are the fortunate ones but we understand that we probably don't deserve it as much as the nurses or teachers.
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I hate sets. I've always hated sets. I think that if you have a dining room set, break it up!
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People think about their business instead of their products.
