Syd Barrett Quotes
But I can't find anybody. That's the problem. I don't know where they are. I mean, I've got an idea that there must be someone to play with. If I was going to play properly, I should need some really good people.
Quotes to Explore
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We have a problem. 'Congratulations.' But it's a tough problem. 'Then double congratulations.'
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You'll probably find most models are incredibly insecure about their bodies.
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We worked on solving the problem of voice communications in a noisy military environment. We established military codes that are highly audible and invented selection tests for personnel who had a superior ability to recognize sound in a noisy background.
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I find that communication as an actor and person is an important part of who I am. And I'm really drawn into the psychology of those dynamics.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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In a completely integrated unit where you'd have white soldiers, particularly from southern states, serving under black noncommissioned officers or officers... I think you would have a problem definitely.
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You can't solve a dignity problem with military force.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I have kind of a personality defect in that I find the word 'no' hard to articulate.
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I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
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Notes are tricky in an audition, because I find, more often than not, my instinct is right.
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Every year, nearly two-thirds of the approximately 200,000 patients in need of a bone marrow transplant will not find a marrow donor that matches within their families.
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The debt we owe to the play of imagination is incalculable.
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Writers of historical fiction are not under the same obligation as historians to find evidence for the statements they make. For us it is sufficient if what we say can't be disproved or shown to be false.
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In all my characters, I try to find an iota of myself, and in Castle, I found a lot. He gets away with a lot, so that's fun.
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I find it hard to talk and say things, but I can always sing about them.
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I find it difficult to attend autopsies. Especially the smells.
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I am still trying to find out things. And I inevitably tell myself the story in different ways every time I think about it.
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I've heard my work called 'bold' and 'graffiti-like,' but for me it is always instinctual. I start with a shape or a colour and go from there.
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Fundamentalists are not friends of democracy. And that includes your fundamentalists in the United States.
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I want you to understand the words. I want you taste the words. I want you to love the words. Because the words are important. But they're only words. You leave them on the paper and you take the thoughts and put them into your mind and then you as an actor recreate them, as if the thoughts had suddenly occurred to you.
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But I can't find anybody. That's the problem. I don't know where they are. I mean, I've got an idea that there must be someone to play with. If I was going to play properly, I should need some really good people.
