Teresa Palmer Quotes
Quotes to Explore
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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The debt we owe to the play of imagination is incalculable.
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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I like to play guitar, jam out, play the blues, go watch movies. I love movies.
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I am lucky that the Western world chooses me to play roles in their movies an television, whatever language it may be.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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Children play soldier. That makes sense. But why do soldiers play children?
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If you're a pop singer, you don't need to evolve. You just get a set together, have some hit songs and play them over and over.
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I tend to play the dangerous characters, the boyfriend, that sort of thing.
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For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done.
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I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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That was a heads-up play. I was behind him (backing up), and he saw the throw didn't have enough to get the runner. So he ran up where he could get the ball cleanly and make the throw. That made it two outs and no on, instead of (the potential for) an add-on run. The damage was over.
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I'm pretty chill, but once birth starts, I go the opposite of chill.
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I try to perform honestly during the fight, and I always remember that I'm a representative of Russia. I try not to bring any aggression. Just honesty.
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With certain projects, there are delays, and with others, things come together very quickly. It can be frustrating but it's not uncommon, and you just have to keep a lot of things juggling and hoping all of these projects will go when all the pieces fall into place. You just have to be ready for whatever catches fire.
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I feed off the crowd a lot. I love to see their faces, singing the words. I feed off their emotions. I want to give that back to them. I want God to speak through me to the crowd. I want to get them excited about their faith. I always want to give it my heart and soul.
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There aren't a lot of movie star males around my age that I can play opposite.
