Rashid Johnson Quotes
The thing that turned out to be interesting about CB radios was the ability to call out in the world with anonymity. You choose your handle. Race and class become non-signifiers.
Quotes to Explore
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You turn up on set, and somebody who has come out of Oxford, has done a BBC course, is telling you how to act. You think, 'Do me a favour. Go and make a coffee.'
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I've been a fan since I was a kid of that sort of bump-in-the-night stuff. I don't tend to go in too much for the slash-and-burn-'em or the walker kills on 'The Walking Dead.' That stuff's not necessarily the stuff that frightens me or gets me going. It's more the terror of waiting, the thriller aspects, that I find compelling.
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We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.
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If someone is alone reading my poems, I hope it would be like reading someone's notebook. A record. Of a place, beauty, difficulty. A familiar daily struggle.
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In a marathon, if you run too fast, you get exhausted. If you run too slow, you never make it.
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My wife Danielle and I love travelling, different cultures and good weather.
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The idea of the sacred is quite simply one of the most conservative notions in any culture, because it seeks to turn other ideas - uncertainty, progress, change - into crimes.
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People do not lack strength; they lack will.
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Sometimes I can be misunderstood. I'm really competitive.
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Years ago, I carved out an identity, and it has always been about having a voice to tell people about stuff I love.
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I founded Camellia Network with my dear friend Isis Dallis Keigwin. The mission of our organization is to create a national network that connects every youth aging out of foster care to the critical resources, opportunities, and support they need to thrive in adulthood.
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If I see a now-28-year-old woman coming up to me, she's probably thinking of 'Juno' because she watched it with her parents when she was 18 years old.
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In domestic life, the woman's value is inherent, unquantifiable; at home she exchanges proven values for mythological ones. She 'wants' to be at home, and because she is a woman, she's allowed to want it. This desire is her mystique, it is both what enables her to domesticate herself and what disempowers her.
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It's awfully nice when people thank you for the pleasure and laughter you've brought to their lives.
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The written word is the only anchor we have in life. How extraordinary would it be if we had even three or four paragraphs written honestly about their lives by our ancestors?
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Happiness is having a scratch for every itch.
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The world is a beautiful book, but of little use to him who cannot read it.
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I was able to participate in New York Fashion Week and walk down the runway. I participated in a pizza contest in Canada.
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I wanted passionately to be a priest.
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There is this immediate connection, this intimacy when you're acting because there's no room to be polite or shy. Also, as an actor I get to connect with women I've never met before.
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In rallying every curve, every hill may be different than you thought. That makes it interesting.
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If you get hold of a head of hair on somebody you've never seen before, cut beautiful shapes, cut beautiful architectural angles and she walks out looking so different - I think that's masterful.
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I think a part of the reason that those early plays were short was that I just kept having these ideas, and I'd just go off and write them. I wasn't trying to write one-act plays - it's just how the ideas would be expressed. Every condition I was in seemed like it could be a play.
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The thing that turned out to be interesting about CB radios was the ability to call out in the world with anonymity. You choose your handle. Race and class become non-signifiers.
